Isa TKM

Drama Series - 2024, 16 episodes

The story begins with the ambiguous relationship between friends Viola and Luma, who seem predestined to literally enter each other's lives. Born on the same day, in very different situations, they meet years later, united by coincidences that go beyond their birthday. From humble origins, Viola moves with her boyfriend Mavi to Angra dos Reis, where Luma lives a luxurious life and dates Rudá, who ends up meeting Viola by chance. Thus begins the duo's journey, which goes from a passion for recipes to an obsession with the same man, from the immediate connection to the point of starting to live their friend’s reality, 10 years later. A journey divided between complicity and rivalry, which includes them in a love quadrangle and is impacted by a series of circumstances, twists and surprises, such as the secret surrounding a murder.

Drama Series - 2019, 16 episodes

A humble young woman allows herself be manipulated by her twin sister to replace her so she can leave with another man.

Drama Series - 2017, 16 episodes

After witnessing a murder, single mother Estela Carrillo must hide the fact that she is an undocumented immigrant escaping a dark past. While hiding her secret, romantic interests and her dream of becoming a singer complicate her plans.

Drama Series - 2014, 16 episodes

La Impostora, is a Spanish-language telenovela presumably to be produced by United States-based television network Telemundo Studios, Miami.

Drama Series - 2014, 16 episodes

Yo no creo en los hombres (I don't trust men anymore) is a Mexican telenovela produced by Giselle González for Televisa. It is based on Yo no creo en los hombres (1991), produced in México.

Drama Series - 2013, 16 episodes

La Patrona is a Spanish-language telenovela produced by United States-based television network Telemundo Studios, Miami and Mexican Argos Comunicación. The telenovela is a remake of the Venezuelan telenovela La Dueña, written by José Ignacio Cabrujas. The name reflects a local term or slang in Mexico to address a person recognized as the main boss. However, the title is also a reflection of both the protagonist and the antagonist struggle to conquer power, authority and respect in a labor field traditionally deemed to be a man's job.