Mino Guerrini
Biography
Mino Guerrini was an Italian film director, screenwriter, and actor active from the 1950s to the 1980s. Born in Rome, he began his career as a screenwriter, contributing to films such as The Counterfeiters (1953) and The White Angel (1955). Guerrini made his directorial debut with Omicidio per appuntamento (1966), a giallo film that showcased his ability to blend suspense with stylistic elements. He directed several films across various genres, including The Beast Kills in Cold Blood (1971) and The Devil Has Seven Faces (1971). Guerrini's work is characterized by its versatility and engagement with popular Italian cinema trends of his time.
Known For & Full Filmography5 Titles
Movie - 1967, 2h 15m • Main Cast Role
Two friends from America come together by chance in the Italian countryside. They decide to meet in Rome after both have done private deals. When one then not show up in Rome starts the other one become suspicious and fearful that something has happened to him. He begins to investigate the case himself and ends up in a spiral of industrial espionage, blackmail, and cold-blooded murder ...
Movie - 1974, 2h 15m • as pretore Filiberto Vettiglia
Neapolitan Vincenzo LoRusso lives of expedients in Rome, as he tries to sell at an intersection a faux suede jacket, accidentally meets Laura, a beautiful woman who invites him to her house.
Movie - 1963, 2h 15m • as Nino
Two members of a former group of friends find themselves after many years by chance through the streets of Milan; after a moment, memories of the past resurface.
Movie - 1964, 2h 15m • as (segment "Amore e vita")
Young Italian writers and directors express themselves in four episodes about sex and love. "Love and Language," the first tale, centers on the difficulties of a Sicilian immigrant who is unable to master proper Italian. the second tale "Love and Life" centers on a jealous and unhappy wife who becomes so desperate to be free of her constantly philandering husband she takes on a lover of her own. "Love and Art" a nearly exhausted screenwriter hires a secretary to help manage his typing. She's a pretty lass and this makes his insecure wife crazy until he fires the female and hires a male secretary. "Love and Death," the final episode centers on the love affair between a middle-aged widower and the grieving young widow he meets at the cemetery. Unfortuantely for his bank statement, the young, impoverished beauty isn't as bereaved as she seems.
Movie - 1975, 2h 15m • as Uomo nella garconniere
An outstanding performance featuring brilliant storytelling, high stakes drama, and unforgettable character arcs.