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Pip Chodorov

Directing
New York, New York

Biography

Pip Chodorov, born April 13, 1965 in New York, has been making films and composing music since 1972. He studied cognitive science at the University of Rochester, NY and film semiotics at the University of Paris, France. Work in film distribution - previously Orion Classics, NYC; UGC, Paris; Light Cone, Paris; and, currently, Re:Voir Video, Paris, which he founded in 1994 (www.re-voir.com) and The Film Gallery, the first art gallery devoted exclusively to experimental film (www.re-voir.com/gallery). He is also co-founder of L'Abominable, a cooperative do-it-yourself film lab in Paris, and the moderator of the internet-based forum on experimental film, FrameWorks.

Known For & Full Filmography4 Titles

#1Free Radicals: A History of Experimental Film

Movie - 2011, 2h 15m • as Himself / Narrator (voice)

6.8 / 10
Documentary

Experimental filmmaker Pip Chodorov traces the course of experimental film in America, taking the very personal point of view of someone who grew up as part of the experimental film community.

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#2Tuesday Jan. 9, 2007

Movie - 2007, 2h 15m • as Self

8.8 / 10
Documentary

The film documents an encounter at 202 Blvd Saint-Germain, in a cafe underneath Apollinaire's last place of residence. Jean-Jacques Lebel gives Jonas Mekas (who remains off screen), three objects associated with Apollinare: an autographed book, a Futurist manifesto, and one of Apollinaire's last drawings.

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#3Sleepless Nights Stories

Movie - 2011, 2h 15m • as Self

5.3 / 10
Documentary

Unable to sleep, Jonas Mekas drifts through New York nights, moving between apartments, studios, galleries, bars, and clubs. Along the way he encounters friends and fellow artists—including Ken and Flo Jacobs and Yoko Ono—capturing an intimate mosaic of nocturnal encounters, reflections, and moments of community.

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#4Cinexpérimentaux #4: Pip Chodorov

Movie - 2001, 2h 15m • as Himself

8.8 / 10
Documentary

Portrait, alternating interviews and extracted from Pip Chodorov's films who evokes its conception of the experimental movies, the links of some of his films with photography. Their character, sometimes improvised, sometimes composed. He’s and editor's activities of videocassettes Re: Voir.

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