Mario Vulpiani

Camera
1927-02-15
Rome, Italy

Biography

Mario Vulpiani (born 15 February 1927) is an Italian cinematographer and documentarist. Born in Rome, Vulpiani began his career as assistant of the operator Enrico Chroscisky. In the fifties he worked mainly in the field of documentary films, also working as a director. In 1965, with a segment of the anthology film Marcia nuziale, Vulpiani started a critically appreciated collaboration with the director Marco Ferreri that includes the celebrated cult films Dillinger Is Dead and La Grande Bouffe. In the late sixties he collaborated with the postmodern painter Mario Schifano in his three experimental films. In the seventies he worked, among others, with Valentino Orsini, Damiano Damiani, Mario Monicelli and Carlo Lizzani. Starting from the eighties Vulpiani focused into less ambitious works, except for several collaborations with Gabriele Lavia. Source: Article "Mario Vulpiani" from Wikipedia in English, licensed under CC-BY-SA 3.0.

Known For & Full Filmography3 Titles

#1La Grande Bouffe

Movie - 1973, 2h 15m as L'autre copilote

7.0 / 10
DramaComedy

Four friends gather at a villa with the intention of eating themselves to death.

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#2The Seed of Man

Movie - 1969, 2h 15m Main Cast Role

6.4 / 10
DramaSci-FiRomance

During a Post-Apocalyptic period in the near future the majority of the European population has been wiped out by some sort of undefined plague. Cino and Dora, a young couple, are rounded up by what constitutes the authorities on an isolated temporary base. They are examined and given antibiotics which will protect them for six months, told to pick out a deserted house to live in the area, and use that time to conceive a child.

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#3Marco Ferreri: The Director Who Came from the Future

Movie - 2007, 2h 15m as Self

6.8 / 10
Documentary

The documentary focuses on Marco Ferreri and shows an unconventional man, extreme, provocative in ways, always a step ahead in its work, and often considered a visionary and experimental. The documentary honors the memory of a filmmaker too soon forgot that left an indelible mark in the seventh art.

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