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Richard Copans

Richard Copans

Directing
1947-11-25
Paris, ĂŽle-de-France, France

Biography

Richard Copans, born November 25, 1947, is a French film producer, cinematographer, and director. After studying cinematography at IDHEC from 1966 to 1968, he worked as an assistant cameraman for Andréas Winding, Philippe Rousselot, Pierre Lhomme, and Yann Le Masson from 1969 to 1976. From 1973 to 1978, he was a cameraman and director with the far-left militant film collective Cinélutte, notably on Bonne chance la France! In 1978, he founded Les Films d’ici (GIE) and produced, among other films, Journal de campagne and Ananas by Amos Gitaï. In 1982, he founded Les Films du passage with Paulo Branco, and subsequently produced around fifteen feature films. In 1984, he founded Les Films d’ici (SARL) with Yves Jeanneau. They produced numerous documentaries, mainly with La Sept Arte, including Route One/USA and Point de départ by Robert Kramer, Mémoires d’Ex by Mosco and Check The Changes by Marc Huraux, Arthur Rimbaud, a biography by Richard Dindo, La vie est immense et pleine de danger and Et la vie by Denis Gheerbrant, Les Moissons de fer by Jean-Claude Lubtchansky and Gérard Rougeron, Les Enfants illégitimes d’Anton Webern by Lilia Ollivier.

Known For & Full Filmography3 Titles

#1La Cabale des oursins

Movie - 1992, 2h 15m • as Self - Director of Photography

5.8 / 10
DocumentaryComedy

A travelogue of abandoned strip mining sites in France extolling their potential for recreational use.

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#2Opening Essay

Movie - 1988, 2h 15m • Main Cast Role

5.5 / 10
Comedy

A man tries different ways to open a Coca Cola bottle.

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#3Death's Glamour

Movie - 2007, 2h 15m • as Le producteur

5.1 / 10
ComedyAdventure

Whilst seeking out locations in the South of France for his next film, director Luc Moullet comes across a male corpse. He immediately decides to use this to his advantage. By swapping his passport with that of the dead man, Moullet hopes that the world will believe he is dead, thereby ensuring a renewed interest in his work. Unfortunately, the scheme backfires, since the dead man was someone rather important...

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