Marta Rodríguez

Marta Rodríguez

Directing
1933-12-01
Bogotá, Colombia

Biography

Marta Rodríguez is a pioneer of documentary film in Latin America and member of the New Latin American Cinema movement that emerged in 1968. She has positioned herself as the best and most important documentary maker in Colombia and Latin America during her artistic career of 50 years, with a filmography that boasts 18 award-winning documentaries at major film festivals.

Known For & Full Filmography4 Titles

#1Beyond Silence

Movie - 1996, 2h 15m as Konzertbesucherin

6.9 / 10
DramaMusic

Beyond Silence is about a family and a young girl’s coming of age story. This German film looks into the lives of the deaf and at a story about the love for music. A girl who has always had to translate speech into sign language for her deaf parents yet when her love for playing music grows strong she must decide to continue doing something she cannot share with her parents.

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#2Claves, 1: How Tasty Was My Little Frenchman

Movie - 1984, 2h 15m as herself

8.8 / 10
Documentary

Documentary in four parts on Latin American cinema. First episode: the influences of Cahiers du cinéma, the New Wave, Italian neorealism. In Brazil, Cinema Novo draws inspiration from these models while drawing on the historical and cultural singularity of the country. The documentary was awarded the Prix Makhila d’or at the Festival de Biarritz, France.

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#3Claves, 3: Small mother country, great mother country

Movie - 1984, 2h 15m as Self

8.8 / 10
Documentary

Documentary in four parts on Latin American cinema. Third episode: from the 1960s, France and Europe showed a real enthusiasm for Latin American cinema, but the latter remained hampered by numerous economic and political obstacles.

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#4Claves, 2: We will return younger

Movie - 1984, 2h 15m as herself

8.8 / 10
Documentary

Documentary in four parts on Latin American cinema. Second episode, evoking the border between fiction and documentary. With his film Tire dié (1960), the Argentinian Fernando Birri proposed this manifesto: to create a realistic and critical national cinema, closer to society without falling into populism.

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