Alexandr Trusch

Acting
1989-06-26
Dnipropetrowsk, Ukraine

Biography

Alexandr Trush is a Ukrainian principal dancer of the Hamburg Ballet. Alexandr Trush was born in Dnipropetrovsk, Ukraine, and began folk dancing lessons there. At the age of 12 his family moved to Germany and he continued his training at the School of the Hamburg Ballet with Kevin Haigen. He joined the Hamburg Ballet in 2007 and was promoted to soloist in 2010 and principal dancer in 2014.

Known For & Full Filmography3 Titles

#1J.S. Bach - Christmas Oratorio - A Ballet by John Neumeier

Movie - 2015, 2h 15m as Angel 2

7.0 / 10
Music

"Rejoice, exult" - John Neumeier turns Buch's Christmas Oratorio into an experience that confronts us all with the most basic questions of trust, hope, faith, doubt and self-sacrifice. "My choreography is not a religious undertaking. We perform to Bach's music, for a few hours unifying individuals of many different cultural and religious backgrounds, For me, the basic human values expressed through the choreography are always the most important thing. Therefore, in my ballet, Mary is known simply as 'The mother' and Joseph as 'Her husband'." "Once again it is impossible not to be impressed by the flawless technique of the ensemble ... When at the end Lloyd Riggins tap-dances his way across the stage like Fred Astaire, the Christmas oratorio is complete" (Sueddeutsche Zeitung).

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#2John Neumeier: The Nutcracker  - Hamburg Ballet

Movie - 2025, 2h 15m Main Cast Role

8.8 / 10
Music

Created in 1971, John Neumeier's ballet set to Tchaikovsky's music is now a classic performed all over the world. In his reinterpretation of The Nutcracker, the American choreographer transposes young Marie's initiation into the world of dance under the tutelage of ballet master Drosselmeier.

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#3A Midsummer Night's Dream

Movie - 2021, 2h 15m as Philostrat/Puck

10.0 / 10
FantasyDramaRomance

Neumeier's dance version of the Shakespeare play about the trials and tribulations of love has lost none of its freshness over three decades after its premiere. With his selection of music, which ranges from Mendelssohn Bartholdy to György Ligeti to traditional barrel organ music, John Neumeier shows his dramaturgical sensibility by integrating three different musical styles into his choreographic narrative.

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