Dora Guerra

Movie - 1975, 2h 15m • as Lilí

While trying to save the famous Tivoli burlesque theater, the participants uncover a web of commercial corruption.

Movie - 1979, 2h 15m • Main Cast Role

Mexican feature film

Movie - 1973, 2h 15m • Main Cast Role

Daffy, psychedelic fantasy about a hippie idyll interrupted by straights and a scheme to lace the water supply with LSD; prodded by the music of the Beatles and the Rolling Stones.

Movie - 1996, 2h 15m • as Mujer Club

"Cilantro y perejil" is a comedy about couples from the same family, hit by the economic crisis in Mexico. The plot turns around the eternal question of whether it is worth it to live as a couple. The conclusions are fun, unpredictable and very human. After ending a ten-year marriage, Carlos and Susana try to fall in love with other people without success. As the days go by, Carlos realizes that without Susana he is unable to do many things, including distinguishing cilantro from parsley.

Movie - 1982, 2h 15m • Main Cast Role

An outstanding performance featuring brilliant storytelling, high stakes drama, and unforgettable character arcs.

Movie - 1981, 2h 15m • Main Cast Role

Mexican feature film

Movie - 1984, 2h 15m • as Woman in the building

Rodrigo Zaracho, once a promising boxer, is in decline. While fleeing from a gang that is chasing him, he remembers his past.

Movie - 1980, 2h 15m • Main Cast Role

It tells the story of two young people who, in the context of the 1968 student movement, awaken to love life and social conscience.

Movie - 1979, 2h 15m • as Mónica

An actor from the provinces, a soap-opera star, reaches the big city with dreams of success. Partly through sincerity and partly prompted by an uneasy conscience, he wants to revolutionize the traditional photo-novel by linking it to social and political reality, to "bring social conscience to the masses" by utilizing this traditionally manipulative and alienating mass medium. The film narrates, in a tragicomic tone, the itinerary followed by Gualberto Rodriguez in his efforts to produce his 'revolutionary' photo-novel: the story of a peasant that migrates to the city, becomes a blue-collar worker, tries to establish a union, and ends up falling in love with the factory owner's daughter. The 'revolutionary' ends up being used, manipulated, and his project fails completely.