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Tõnu Raadik

Tõnu Raadik

Sound
1957-12-15
Jõhvi, Estonian SSR, USSR

Biography

Tõnu Raadik (born December 15, 1957 in Jõhvi) is an Estonian actor, composer and violinist. In 1980 he graduated from Tallinn State Conservatory's Performing Arts Department, and in 1992 the same institution in composition speciality. From 1980 until 1986, he played at Estonian Puppet Theatre, and from 1986 until 1992, at the Estonian Youth Theatre. Since 1993 he is a freelancer. Besides theatre roles he has played also in several films. He has written chamber, theatre, and film music. He has been a member of music groups, e.g. in Kukerpillid (1976–1986 and 1997–1998).

Known For & Full Filmography5 Titles

#1Closed Circle

Movie - 1983, 2h 15m Main Cast Role

8.0 / 10
Mystery

In a small Swedish town, the murder of Frome, the owner of a public relations research firm, takes place. A day later, his friend Touraine, the police commissioner leading the investigation, is killed...

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#2Oliüks Henno

Movie - 2025, 2h 15m Main Cast Role

8.8 / 10
Documentary

Portrait of a renowned writer and illustrator of children's books, Henno Käo.

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#3Those Old Love-letters

Movie - 1992, 2h 15m as Soldier (uncredited)

7.0 / 10
RomanceDramaMusic

A film about the life of Raimond Valgre, an Estonian songwriter and singer of the 1930s and 40s, the political changes of his country and his life after the war when his songs were considered not suitable for the Soviet way of life.

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#4American Mountains

Movie - 1994, 2h 15m Main Cast Role

10.0 / 10
ComedyCrimeDrama

A former goldminer who has run afoul of the law is made an unusual offer by the mafia. The power of money and popularity among women won't let him step down from the rollercoaster in order to make the right decisions.

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#5A Man Who Never Was

Movie - 1990, 2h 15m as Hans Brandt

4.0 / 10
Drama

In the final weeks of the existence of the Soviet empire, a number of unusual films were released. In this wry Estonian comedy, a woman with an unusual talent for mimicry which eventually earns her a career on the radio between WWII and the Russian resettlement of that country (with a corresponding deportation of millions of Estonians to Siberia). In an absurd fashion, her self-generate sound effects help her get out of all sorts of scrapes with the authorities. When those fail, her incredible nonchalance succeeds. By the end of the film, it becomes clear that she has bestowed her inimitable imitative gift on her newborn son, as well.

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