Ève Gagnier
Biography
Ève Gagnier was an actress and singer in Québec, Canada. The daughter of René Gagnier, a musician, conductor and composer, she was born in Montreal and was educated at the Conservatoire de musique du Québec à Montréal, studying voice with Martial Singher, piano with Auguste Descarries and harp with Marcel Grandjany. She is famously known for her many roles in Michel Tremblay's plays and for being the first voice of Cannelle in the series 'Passe-Partout'.
Known For & Full Filmography5 Titles
Movie - 1974, 2h 15m • as Belle-soeur
Two women and a transvestite gay man cross paths in this French Canadian drama. The transvestite is preparing for a drag-queen beauty pageant, and has decided to present himself as Cleopatra. Of the two women, one was just fired from her waitressing job and seeks to go back to work at the nightclub where the beauty pageant is to be held. The other woman's mother has just won one million food stamps.
Movie - 1984, 2h 15m • Main Cast Role
Two teenaged friends have separate difficult experiences that make the girls seriously consider suicide.
Movie - 1972, 2h 15m • as Françoise Durocher
Fictional character played by 24 different actresses, Françoise Durocher is altogether small time waitress, hostess and barmaid. Together, according to the author, they represent the archetypical Québec waitress that everyday waits on us with a smile, despite whatever problems she faces in her personal life. First cinematographic experience of the Brassard-Tremblay tandem, this film full of ironic joy details all the nuances of the waitress living conditions.
Movie - 1977, 2h 15m • Main Cast Role
30-year-old Quebec City native Gisèle lives a quiet life as a secretary without happiness with her parents and siblings. One day, tired of being teased by her office mates, she decides to consult a marriage agency to find her soul mate.
Movie - 1973, 2h 15m • Main Cast Role
Backyard Theatre is a documentary about playwright Michel Tremblay and director André Brassard’s flavourful brand of Quebec theatre, which captured the earthy wit and joual (slang) of Montreal's East End working-class neighbourhood. The film features impromptu improvisation by the cast of Les belles-soeurs and Demain matin, Montréal m'attend, two genre-defining plays.