Herman J. Mankiewicz
Biography
Herman Jacob Mankiewicz (November 7, 1897 – March 5, 1953; New York City) was an American screenwriter, who, with Orson Welles, wrote the screenplay for Citizen Kane (1941). Earlier, he was the Berlin correspondent for the Chicago Tribune and the drama critic for The New York Times and The New Yorker. Alexander Woollcott said that Herman Mankiewicz was the "funniest man in New York". Both Mankiewicz and Welles received Academy Awards for their screenplay. Mankiewicz's younger brother was Joseph L. Mankiewicz (1909–1993), an Oscar-winning Hollywood director, screenwriter, and producer. His nephew Tom Mankiewicz (1942 – 2010) was also a screenwriter and director. He was often asked to fix the screenplays of other writers, with much of his work uncredited. Occasional flashes of what came to be called the "Mankiewicz humor" and satire distinguished his films, and became valued in the films of the 1930s. The style of writing included a slick, satirical, and witty humor, which depended almost totally on dialogue to carry the film. It was a style that would become associated with the "typical American film" of that period. Among the screenplays he wrote or worked on, besides "Citizen Kane", were "The Wizard of Oz", "Man of the World", "Dinner at Eight", "Pride of the Yankees", and "The Pride of St. Louis". Film critic Pauline Kael credits Mankiewicz with having written, alone or with others, "about forty of the films I remember best from the twenties and thirties. ... he was a key linking figure in just the kind of movies my friends and I loved best.". Mankiewicz was an alcoholic. Ten years before his death, he wrote: “I seem to become more and more of a rat in a trap of my own construction, a trap that I regularly repair whenever there seems to be danger of some opening that will enable me to escape. I haven’t decided yet about making it bomb proof. It would seem to involve a lot of unnecessary labor and expense". A future Hollywood biographer went so far as to suggest that Mankiewicz’s behavior “made him seem erratic even by the standards of Hollywood drunks.” Herman Mankiewicz died March 5, 1953, of uremic poisoning, at Cedars of Lebanon Hospital in Los Angeles.
Known For & Full Filmography5 Titles
Movie - 1941, 2h 15m • as Newspaperman (uncredited)
Newspaper magnate Charles Foster Kane is taken from his mother as a boy and made the ward of a rich industrialist. As a result, every well-meaning, tyrannical or self-destructive move he makes for the rest of his life appears in some way to be a reaction to that deeply wounding event.
Movie - 1931, 2h 15m • as Undetermined Secondary Role (uncredited)
Hildy Johnson is an investigative reporter looking for a bigger paycheck. When an accused murderer escapes from custody, Hildy sees an opportunity for the story of a lifetime. But when he finds the criminal, he learns that the man may not be guilty. With the help of his editor, Hildy attempts to hide the convict, uncover the conspiracy and write the scoop of his career.
Movie - 1996, 2h 15m • Main Cast Role
Documentary about the battle between Orson Welles and William Randolph Hearst over Welles' Citizen Kane (1941). Features interviews with Welles' and Hearst's co-workers also acts as a relatively complete biograph of Hearst's career.
Movie - 1928, 2h 15m • as Newspaperman
A World War I veteran takes on the Ku Klux Klan when he loses his wife to a womanizing Klansman. Preserved by the Academy Film Archive in partnership with University of Nevada, Las Vegas Foundation.
Movie - 1991, 2h 15m • Main Cast Role
Documentary looking at Orson Welles and the production of the film CITIZEN KANE fifty years ago, considering the furore that accompanied it and the real life press baron William Randolph Hearst upon whom Kane is based, and his efforts to halt the film, destroy the negative and persecution of people involved with its production and showing. It includes BBC interviews with Welles made in 1960 and 1982, and film historian Robert Carringer looks at the scenes that never made it to the screen. American film critic Pauline Kael also analyses the film's enduring appeal. Extracts from "The RKO Story" (producer: Rosemary Wilton) and "Yesterday's Whitness" (producers: Christopher Cook and Stephen Peet).