Alexei Rakhov

Movie - 1988, 2h 15m • as himself

A Finnish documentary about the feelings of a rock generation in the Soviet Union during Gorbachev's regime: the film follows underground bands' rise to publicity, the country's first "official" rock festival called the Moscow Rock Panorama-87 and the rocket-like ascent of Uralian Nautilus Pompilius into the starry sky of Soviet rock. Also appearing: "Аквариум", "Авиа", "Телевизор", "Браво", "Ва Банкъ", "Бригада С", "Новая Коллекция", "Мистер Твистер", "Круиз", "Нюанс", "Альянс", Uriah Heep.

Movie - 1989, 2h 15m • as Self

Documentary film for german TV about rock music in Soviet Union. Featuring: "Мистер Твистер", "Ва-Банкъ", "Чудо-Юдо", "Женская Болезнь", "Ночной Проспект", "Аквариум", "Ноль", "Аукцыон", "Телевизор", "АВИА", "Звуки Му". In 1989 an album with recorded soundtrack was released.

Movie - 1977, 2h 15m • as Rakhov

AKirill Sergeyevich, a retired Army officer, becomes the new school Headmaster. Used to a strict and orderly routine, he at first finds the chaotic bustle of everyday school life hard... It is not easy to deal with both the children and the teachers, especially with the students' favorite Marina Maximovna who teaches Literature. Well then, wasn't Marina surprised to discover the "martinet" Nazarov to be a perceptive and tactful person and an experienced tutor.

Movie - 2016, 2h 15m • as Self

The film tells about the birth of a new wave in the USSR under a strict political regime and about the era of "perestroika", when musicians received freedom of expression.

Movie - 1988, 2h 15m • as Himself

A documentary film about the work of Dinara Asanova, director at the Lenfilm film studio.

Movie - 1987, 2h 15m • Main Cast Role

With a brother dedicated to punk rock stardom at any cost and a drunken father who chases skirt between robotic dancing lessons from the TV, young Senka stands as much chance of nurture as the hero of Truffaut's 400 Blows. The amazing thing about Ogorodnikov's film is that it was made in Russia. Clearly, plenty of Soviet teenies share the nihilistic feelings of their Western counterparts, and the extensive footage of safety-pin chic at concerts perhaps points to a sound export instinct on the director's part. Senka's brother Kostya is under pressure from Howmuch, a very heavy rocker, to steal a synthesiser from the Community Centre, so to protect him Senka steals it himself. The story occupies little more space than the music, but the performances are splendid enough to lodge Senka's predicament in the heart.