Coca Rudolphy
Known For & Full Filmography9 Titles

Drama Series - 2011, 16 episodes • as Self
Daily interviews discussing the guest's personal lives and national contingency.

Drama Series - 1999, 16 episodes • as Ketty
Stories of paranormal activities and extraordinary nature -allegedly- based on real events.

Drama Series - 1997, 16 episodes • as Antonieta Cabieses
A young blind man and a dancer unwittingly get tangled in the affairs of an underwear company called Rossabella.

Drama Series - 1989, 16 episodes • as Sister Maria de la Cruz
The story of the inspiring life of the new young Carmelite saint who lived in the 20th century, died at the age of just 19 years old, and was canonized by Pope John Paul II in 1993. St. Teresa of Jesus of the Andes, known officially as "St. Teresa of the Andes", grew up in a close-knit, upper middle class Catholic family in Santiago, Chile, was very popular with her friends and relatives, entered Carmel at age 19, and died before her 20th birthday.

Drama Series - 2008, 16 episodes • as Mrs. Remera
An ode to Chilean maritime myth and storytelling. Sailors onboard the Lucerna tell stories, but before long their stories intersect.

Drama Series - 1990, 16 episodes • as Donor Lady
The life, work and death of the Chilean Jesuit priest and founder of "Hogar de Cristo" (Home of Christ), San Alberto Hurtado Cruchaga.

Drama Series - 1988, 16 episodes • as Gaby
A hard-working man witnesses the collapse of his nuclear family.

Movie - 2001, 2h 15m • as Sebastián's Mother
A young, successful and attractive executive gets depressed after an unwanted pregnancy that will push her to take a look at her personal life, reconnecting once again with the man he used to love when she was a teen.

Movie - 2000, 2h 15m • Main Cast Role
It gathers from a perspective the voice of women victims of human rights violations during the military regime. It is a proposal that transcends denunciation, delving into the reconstruction of the daily lives of these women, thus constituting a reflection on our society in the past and the unresolved present. It is a testimony of the courage of our women, who reconstruct the "Pieta" as the only form of pain in the Chilean imaginary.