Miguel Stuardo

Drama Series - 1993, 16 episodes • as Guido

Anthology series based on real criminal cases, featuring an interview with the actual perpetrator at the end of each episode.

Drama Series - 1993, 16 episodes • as Luis

Anthology series based on real criminal cases, featuring an interview with the actual perpetrator at the end of each episode.

Drama Series - 1993, 16 episodes • as Cristian Leiva

Anthology series based on real criminal cases, featuring an interview with the actual perpetrator at the end of each episode.

Drama Series - 1999, 16 episodes • as Andrés

Stories of paranormal activities and extraordinary nature -allegedly- based on real events.

Drama Series - 2001, 16 episodes • Main Cast Role

Anthology series based on true crime stories that usually are unsolved mysteries. Intertwining dramatizations and real interviews with the victims and witnesses.

Drama Series - 2011, 16 episodes • as Informant

Fictional stories about Chilean historical events that shook the country through joy, horror, excitement or sadness, and where the great virtues and defects of its national idiosyncrasy were expressed, that marked the lives of many people.

Movie - 2004, 2h 15m • as Detective

Nieves has murdered the man who was tried to rape his younger brother. Sentenced to five years in prison, she is immersed in a hard and marginal world, she does yearns to one day being released and fulfill her lifelong dream: to know the flowery desert in northern Chile. When an oversight of her captors allows her to flee, her dreams will have to wait still. She dedicates herself to managing a nightclub where her former jailmates prostitute themselves.

Movie - 1995, 2h 15m • as Warden

The ghost of a young German colonist, who died a couple of hundred years ago in unclear supernatural circumstances, appears in Chile to fulfill her mythical destiny. To achieve this, she will intervene in the life of an unsuccessful publicist and his lover.

Movie - 1994, 2h 15m • as Man 3

After 20 years of exile, Aron returns to Chile to find out who he is. He asks questions, not only of those who stayed behind but also of himself, examining his relationship with his past and his own memory. The people who stayed lived through 20 years of dictatorship. They were either victims or executioners. Amidst this wreckage, Aron wonders what name his brother is using now, where his father is... Can he, in Isol's arms and through her love, find his way again ? What future awaits him? Like Mola the torturer, he has returned from an impossible journey, and Aron knows that each man is his own executioner. Shipwreck and resurrection are the two facets of a complex truth.