Edward Diaz
Known For & Full Filmography6 Titles

Drama Series - 1995, 16 episodes • as Derek
Anthology series composed of distinct story episodes, sometimes with a plot twist at the end, with occasional recurring story elements that were often tied together during season-finale clip shows.

Drama Series - 2002, 16 episodes • as Javiar
Based on a true story, this family-friendly series follows the adventures of a young, hearing impaired woman who has a special gift and goes to work for the FBI in Washington, D.C. She's one hard-headed, soft-hearted woman whose talent for reading lips helps crack crimes and bag the bad guys in places listening devices can't penetrate. With her hearing-ear dog, Levi, Sue's a glutton for jeopardy – and there's (almost) nothing she won't do to bring notorious criminals to justice. This remarkable, edge-of-your-seat drama is an inspiring tribute to the ability of the human spirit to overcome adversity and achieve great things.

Drama Series - 1996, 16 episodes • as Martine
The Sentinel is a Canadian-produced television series. In the jungles of peru, the fight for survival heightened his senses. Now, Detective Jim Ellison is a sentinel in the fight for justice. Anthropologist Blair Sandburg works side by side with Jim, helping him develop these senses.

Drama Series - 2004, 16 episodes • as Reporter
Kevin Hill is an American legal drama that aired on UPN during the 2004-2005 TV season. It was filmed and produced in Toronto, Canada.

Movie - 1996, 2h 15m • as Tito
A group of young mutants--humans with a genetic variation that gives them superpowers and makes them feared by the population at large--begin training at a school for heroes. Their studies are interrupted when they must rescue one of their number from a mad scientist who can enter others' dreams.

Movie - 2006, 2h 15m • as Tow Truck Man
A chronicle of a day in the life of a Palestinian cab driver in Los Angeles, DRIVING TO ZIGZIGLAND, portrays the social struggle of the Arab immigrant in post-9/11 America. A film audition typecasts Bashar to play an Al Qaeda terrorist role. The utilities are due and Bashar has twenty-four hours to make the money. For the remaining hours left until tomorrow, an unceasing flow of passengers ride in Bashar's taxi and give the Arab cabbie the run around on issues that deal with suicide bombers, George Bush, Cat Stevens, the war in Iraq, music, and world geography. Bashar's quest to make the money is won until he realizes he has to choose between the Department of Homeland Security and his family.