Joana Carvalho
Known For & Full Filmography8 Titles
Movie - 2019, 2h 15m • Main Cast Role
Oscar is a child germinating in its parent’s garden. Its body is developping underground. Nobody knows its biological sex but he wants to be a boy. One day, Oscar gets out of the ground and discovers his female body. After this painful discovery, is his desired identity finally going to be accepted?
Drama Series - 2016, 16 episodes • as Juliana
An outstanding performance featuring brilliant storytelling, high stakes drama, and unforgettable character arcs.
Drama Series - 2019, 16 episodes • as D. Antónia
An outstanding performance featuring brilliant storytelling, high stakes drama, and unforgettable character arcs.
Drama Series - 2019, 16 episodes • as Guidinha/Gabrielle d'Estrées/Angélica
An outstanding performance featuring brilliant storytelling, high stakes drama, and unforgettable character arcs.
Drama Series - 2017, 16 episodes • as Médica
Four inconsequential and bohemian friends want to write a television series. To do this, they create a game that will help them decide who will be the protagonist and who will also serve as their source of inspiration.
Movie - 2013, 2h 15m • Main Cast Role
A triptych of short stereoscopic films by Peter Greenaway, Jean-Luc Godard and Edgar Pêra. Includes "The Three Disasters" by Godard, "Cinesapiens" by Pêra and "Just in Time" by Greenaway.
Movie - 2019, 2h 15m • as D. Antónia
The film is liberally inspired by the period when Eça de Queiroz was Portuguese Consul in Cuba, when still a Spanish colony. Eça de Queiroz struggles against local authorities in his defense of Chinese workers, brought to the sugar plantations by greedy middlemen and exploited as slaves. Two parallel stories unfold, that of a Chinese girl which Eça de Queiroz saves from the clutches of one of the island’s most powerful slave owners, and the other of a romance involving a young American woman on holidays in Havana.
Movie - 2016, 2h 15m • as Espectadora
A kino-investigation about spectatorship, a continuous conversation between different kinds of spectators: which one is more cinema: Citizen Kane on a mobile phone or a football game projected in a cinema theatre? What is the cinema of uncertainty? How many kinds of amazement exist? Does fear and belief precede amazement? What are the rights and duties of the spectator? Is the essay film a manifesto against voyeurism? Should spectators be paid? What amazes the spectator of this day and age?