Noboru Asahi

Acting

Known For & Full Filmography5 Titles

#1Kamen Rider Gotchard VS Kamen Rider Legend

Drama Series - 2023, 16 episodes as Kaguya's grandfather

9.0 / 10
Sci-Fi & FantasyAction & AdventureKids

Houtaro is suddenly transported to a parallel world. Awaiting him is a young man named Houou Kaguya Quartz who summoned him using that world's technology, the Aurora Curtain System. His favorite phrase is "Gorgeous" and he protects the world from the clutches of the evil organization called "Hundred". What's more, the person following Kaguya is a butler named Butler, who looks exactly like Houtaro's friend Ryo Kajiki!

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#2When I Get Home, My Wife Always Pretends to Be Dead

Movie - 2018, 2h 15m as Sushi Shop Guest

7.0 / 10
Comedy

When salary man Jun gets home, he finds his wife bleeding from her mouth and lying on the floor. He is shocked by the scene, but it turns out the blood is just ketchup and she is pretending to be dead. Without telling him why, she pretends to be dead everyday. Jun is dumbfounded by his wife's behavior, but he begins to feel uneasy with her.

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#3Umi Yukaba

Movie - 1943, 2h 15m Main Cast Role

8.8 / 10
War

Depicting the International Disarmament Conference and the Japanese Navy’s Struggle.

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#4Wakaki sugata

Movie - 1943, 2h 15m as Takeda

7.0 / 10
Drama

An outstanding performance featuring brilliant storytelling, high stakes drama, and unforgettable character arcs.

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#5Explosion!

Movie - 1939, 2h 15m Main Cast Role

6.5 / 10
Drama

"Around the time he made such remarkably ambivalent war films as Mud and Soldiers and Five Scouts, Tasaka directed this 'home front' comedy-drama which is too bizarre to be serious propaganda. [The plot revolves around a public contribution campaign to buy airplanes.] The mayor's aviator son promises to fly over the village in salute, and much of the narrative concerns the preparations for this great event. Tasaka throws in a few songs, some village humor and satire, and tremendous camera mobility, finally wringing every possible effect from his climax." John Gillett, British Film Institute

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