Katarzyna Trzcińska

Movie - 2007, 2h 15m • as Kuzynka

Two young men escape from a psychiatric hospital. They have to return the money misappropriated by one of them. They have two days to do so. They overcome many obstacles and meet various people who involve them in their personal affairs. The confrontation with "real life" is not easy for the characters. We learn the real reasons for their stay in the hospital.

Movie - 2019, 2h 15m • as Patient in Rest-home

Based on a script by Andrzej Żuławski, this is a fascinating on-screen dialogue between father and son that combines nostalgia and fury, the sublime with humor, and old-school style with a sharp, penetrating look at Polish reality. The eponymous bird talk is the language used by those excluded from the aggressive majority: a history teacher tormented by children, a teacher of Polish studies fired from his job, a girl who cleans a banker’s villa, a florist with a club foot and a student with a fascination for cinema. Pushed to the margins by the extreme right, they defend themselves with irony, songs and quotes from the classics.

Movie - 2001, 2h 15m • Main Cast Role

Supermodel Everhart is kidnapped by bad guy Prochnow and rescued by good guy Otto in technopop action.

Movie - 2000, 2h 15m • as Gejsza

An outstanding performance featuring brilliant storytelling, high stakes drama, and unforgettable character arcs.

Movie - 1999, 2h 15m • as żona Gerarda

Based on true events, the movie tells the story of two men who want to start a scooter business but don't have the required collateral for a bank loan. Then one of them runs into a former flat neighbour who offers to lend them the money. The guy turns out to be a thug and starts to extort them. Their life goes downhill from there.

Movie - 2003, 2h 15m • as Czarownica

The story of two very close lesbian friends: Małgosia and Mariola. One day, Małgosia learns that she is terminally ill. Together with her friend, she goes to a sanctuary famous for miracles. Along the way, they see the figures of the seven deadly sins and a number of characters from the New and Old Testaments. As the plot unfolds, the viewer learns that the whole journey is not real, but takes place only in the imagination, the inner space of the characters.