Amanda Hancox

Drama Series - 1997, 16 episodes • as Morn

Years ago, the Taelons came to Earth, offering friendship and technology to humanity. But there are those who believe the Taelons have more sinister motives.

Drama Series - 1995, 16 episodes • as Mrs. Anderson

Anything can turn spooky in this horror anthology series based on the best-selling books by master of kid horror, R.L. Stine. In every episode, see what happens when regular kids find themselves in scary situations, and how they work to confront and overcome their fears.

Drama Series - 1991, 16 episodes • as Helen Carter

The Hidden Room is an American drama-horror anthology television series. Geared mainly towards women, it aired on Lifetime for 33 episodes from 1991 to 1993. Each episode usually centered around a woman in hardship, but with a dark Twilight Zone-esque twist. Most episodes starred a well-known actress in the lead role.

Drama Series - 1995, 16 episodes • as Mrs. Fisher

A look at the lives of two best friends and neighbors since birth, Tucker and Rebecca, and their respective adventures as they travel through the world of eighth grade.

Movie - 1986, 2h 15m • as Nora

Story of a well-to-do elderly woman, who befriends the homeless and volunteers her time with children, who learns she has an incurable illness and wants desperately to reunite her three grown grand children (who are scattered across the U.S. living their own lives), with their estranged father, her son. She hires a private detective to search for them so as to try to get everyone together on Christmas Eve.

Movie - 2005, 2h 15m • as Mrs. Anderson

When Hannah Fairchild meets her new neighbor, Danny Anderson, she thinks he's a bit weird...could he be a ghost?

Movie - 1978, 2h 15m • as sister, from Toronto

"Here is the quintessential Hancox 'personal documentary,' a film in which both the production and role of traditional documentary and autobiographical filmmaking are thrown into question. Using his camera to record a visit out east by train to spend Christmas with the family, Hancox .... used his familiarization with the annual ritual as a form of a script... Although we see the journey through the subjective judgment of Hancox’s eyes, it is his intent to transfer the material from original event to camera, to editing, and finally to the audience, so that the personal content of the film... becomes universal.” Michael Wade, Ontario Film Studies, Cinema Parallel “It is the honesty of portrayal which is staggering, for instead of an idyllic image which many filmmakers present of themselves, Hancox presents (and thus, sees) himself without cinematic make-up... with ‘wild sync’ sound (reminiscent of an early film), and with the use of only available natural light.” Richard Stanford