Manfred Honeck

Movie - 2009, 2h 15m • as Self

An outstanding performance featuring brilliant storytelling, high stakes drama, and unforgettable character arcs.

Movie - 2006, 2h 15m • Main Cast Role

As part of the Mozart celebrations for the composer’s 250th birthday in 2006, the Czech Philharmonic Orchestra, under the baton of Manfred Honeck, perform W.A. Mozart’s most famous work related to or composed in Prague.

Movie - 2014, 2h 15m • Main Cast Role

From the Auditorium Parco della Musica, the Orchestra dell'Accademia Nazionale di Santa Cecilia performs music by J. Strauss, Tchaikovsky, Brahms, Weber, Berlioz, Ponchielli, and Offenbach.

Movie - 2017, 2h 15m • as Dirigent

The concert on Saturday, July 15, 2017, was opened by the Bavarian Radio Symphony Orchestra under the direction of Manfred Honeck. In the first part of the concert, percussionist Martin Grubinger delighted the audience with highlights from his Parade concertos by Tan Dun and Bruno Hartl, among others. In the second part, a concert waltz by Carl Michael Ziehrer was played, as well as his own fantasy based on themes from Antonín Dvořák's fairytale opera "Rusalka" with the popular "Song to the Moon", and the evening ended with a variety suite by Dmitri Shostakovich. On July 16, 2017, the Munich Philharmonic Orchestra took to the stage in the Feldherrnhalle. The chief conductor was Valery Gergiev. Chinese pianist Yuja Wang played one of her absolute favorite concertos: the Piano Concerto No. 1 by Johannes Brahms. And the Russian maestro also contributed Modest Mussorgsky's "Pictures at an Exhibition" in the bombastic orchestral version by Maurice Ravel.

Movie - 2026, 2h 15m • as Self - Conductor

An outstanding performance featuring brilliant storytelling, high stakes drama, and unforgettable character arcs.

Movie - 2006, 2h 15m • as Conductor

There are elements of Eurotrash in this outdoor Aix-en-Provence summer opera production. Nevertheless, the splendid singing and acting transform the story, normally treated as farce, into something considerably more serious. As many other critics have noted, the young lovers have not yet sorted everything out as this performance ends. Act One begins with the principal characters running around in the outdoor theater -- while the audience takes it in as if they had been advised to sit back and enjoy the novelty. Very likely they were also asked to refrain from applauding at the end of arias and ensemble pieces, in which the three-hour opera abounds.