Vladimir Dmitriev

Movie - 1989, 2h 15m • Main Cast Role

A teenage girl nicknamed Avariya - "Crash" - is a rebel child that just can't get along with her family members that try to persuade her to behave normally - that is as other people do. But when Avariya gets gang-raped, his father (who is a cop) breaks all the rules and goes out for revenge.

Drama Series - 2020, 16 episodes • as Bojan

Yesterday Ilya was an esports legend, but today he is an unwanted 38-year-old "old man". His selfish nature alienated his fans, sponsors, and loved ones. But one day his life changes dramatically when Ilya finds out that his daughter Varya has followed in her father's footsteps and has become an esports athlete. With great difficulty, she succeeds in the brutal world of esports, where there is no place for girls. However, fatherly pride did not last long. Ilya understands that Varya is not only talented, but also extremely selfish, which can lead her to failure. To become an example for his daughter, which he has never been, Ilya decides to do the impossible - to assemble a team and win the World Cup.

Movie - 1987, 2h 15m • Main Cast Role

A lawyer defends a wealthy woman accused of murder. She claims it was self-defense. The lawyer is not sure.

Movie - 1988, 2h 15m • as pervyi muzh Larisy Pavlovny

Comedy based on the story of M. Zoshchenko "Do Not Speculate." The story of how the wife "sold" her own husband.

Movie - 1987, 2h 15m • Main Cast Role

The action in this lavishly produced film takes place at an oddly ark-shaped mansion during World War I, and in spirit (although not in story) it reflects the play which inspired it, the ferociously antiwar Heartbreak House by George Bernard Shaw. A large group of family and friends have gathered at this country house to dance, drink, and converse. Their conversation, in particular, is adorned with erudite literary references and quotations. Despite their apparent refinement, their preoccupations are simple: sex and violence. Disquieting images break the tranquility of the vacationers' inappropriate idyll: some of these include documentary footage of starving African children, images (both real and re-enacted) of George Bernard Shaw going about his daily life, and a corpse coming to life on an autopsy table, only to cheapen that miracle by scolding a group of women. The music used in the film ironically points to its disturbing message and is uniformly anachronistic.