Sarah Twomey

Drama Series - 2012, 16 episodes • as Glenys Winch

Drama following the lives of a group of midwives working in the poverty-stricken East End of London during the 1950s, based on the best-selling memoirs of Jennifer Worth.

Drama Series - 2022, 16 episodes • as Lushing Lou

After years of imprisonment, Morpheus — the King of Dreams — embarks on a journey across worlds to find what was stolen from him and restore his power.

Movie - 2022, 2h 15m • as Police Officer Frieda

In the aftermath of a personal tragedy, Harper retreats alone to the beautiful English countryside, hoping to find a place to heal. But someone — or something — from the surrounding woods appears to be stalking her, and what begins as simmering dread becomes a fully-formed nightmare, inhabited by her darkest memories and fears.

Drama Series - 2020, 16 episodes • as Young Woman

Kate runs an old-fashioned café in a seaside town, and develops a strong, if sometimes volatile, friendship with asylum-seeking African doctor Koji. Although from different worlds, Kate and Koji are similar in ways they do not see for themselves.

Movie - 2018, 2h 15m • as Fabia

Twelfth Night is a tale of unrequited love – hilarious and heartbreaking. Two twins are separated in a shipwreck, and forced to fend for themselves in a strange land. The first twin, Viola, falls in love with Orsino, who dotes on OIivia, who falls for Viola but is idolised by Malvolio. Enter Sebastian, who is the spitting image of his twin sister... Christopher Luscombe, Director of the ‘glorious’ (Daily Telegraph) Love’s Labour’s Lost and Much Ado About Nothing (2014 and 2016), returns to the Royal Shakespeare Company to tackle Shakespeare’s greatest comedy, a brilliantly bittersweet account of "the whirligig of time".

Movie - 2016, 2h 15m • as Maid

On a summer's day in a makeshift theatre by a lake, Konstantin's cutting-edge new play is performed, changing the lives of everyone involved forever. Chekhov's masterly meditation on how the old takes revenge on the young is both comic and tragic, and marks the birth of the modern stage. Adapted by David Hare whose stage plays include Skylight, Pravada, and screenplays include The Hours and The Reader, directed by Jonathan Kent (Gypsy, Private Lives).