Patrizia Vicinelli

Movie - 1983, 2h 15m • as Painter (uncredited)

The alienating and repetitive life of a group of heroin junkies in 1980s Rome.

Movie - 1967, 2h 15m • Main Cast Role

An outstanding performance featuring brilliant storytelling, high stakes drama, and unforgettable character arcs.

Movie - 1976, 2h 15m • Main Cast Role

Puzzle Therapy is the collection of material shot over the course of a year, edited with a technique similar to that of automatic writing. In this set of shreds of real life, memories, dreams, each viewer can find different meanings.

Movie - 1977, 2h 15m • as Herself

A day in the life of poet Patrizia Vicinelli who tries for the umpteenth time to free herself from drug addiction.

Movie - 1967, 2h 15m • as Self

On a theatrical work by Aldo Braibanti, the special effects used in an attempt to construct a new visual grammar capable of describing "the new geography of boundless perceptions and imaginaries, the emergence of memories from the very distant phylogenetic past of our animal ancestors, a gift of psychotropic substances."

Movie - 2007, 2h 15m • as Self

A trip in an automobile described in the style of the phonetic poetry by Patrizia Vicinelli.

Movie - 1976, 2h 15m • as Self

First of all, the music. The music in Night and Day by Gianni Castaglioni is in the repetitive rhythm of the images, usually very rapid (with some suddenly slowed down, figements, yet with a fiery intensity). And as each shot, (brief like those of Mekas or Brakhage), moves,; as the camera moves to the nervous rhythm of a wrist, the music becomes a sort of Free Jazz — and not only visually, since the soundtrack is composed of piano frenzies à la Elton John. The extreme close-ups that sprinkle this sort of intimate journal and which are among the most admirable - as well as the most rapid - ever made in cinema, don’t float adrift like the film’s music through a hundred flowing veins.

Movie - 1970, 2h 15m • Main Cast Role

A silent film starring poetess Patrizia Vicinelli, shot in Turin and Morocco between 1968 and 1970. “We set out and traveled far because Patrizia had called us. The film bears witness to what we saw there and what we found upon returning home—the two things ideally united. In addition, it contains my personal inventory of love and visions, as well as the search for love, navigating between reality and unreality along the ideal thread and the obsession of the mind.”

Movie - 1973, 2h 15m • Main Cast Role

The film shows a woman mysteriously wandering, pistol in hand, through the streets of Lourdes, France. It is a portrait of Patrizia Vicinelli, the great poet active in the avant- garde Gruppo 63, who worked with the leading magazines of the time, close to both the theatre and the experimental cinema of Alberto Grifi and Gianni Castagnoli. —Tate Modern