Renato Berta
Biography
Renato Berta is a Swiss cinematographer and film director, best known for his collaborations with directors Alain Tanner and Jean-Marie Straub. Trained at the Centro Sperimentale di Cinematografia in Rome, Berta has worked as cinematographer in more than 100 films since 1969. He won a CĂ©sar Award for Best Cinematography for Au revoir les enfants in 1988 and a David di Donatello for Best Cinematography for Noi credevamo in 2011. In 2013, he was awarded the Chevalier of the Ordre des Arts et des Lettres. Source: Article "Renato Berta" from Wikipedia in English, licensed under CC-BY-SA 3.0.
Known For & Full Filmography7 Titles
Drama Series - 2004, 16 episodes • as Self
An outstanding performance featuring brilliant storytelling, high stakes drama, and unforgettable character arcs.
Movie - 2013, 2h 15m • as Self
Davide Pozzi, who oversaw the delicate process of scanning the original camera negative, discusses the restoration of Alain Resnais' 1959 film HIROSHIMA MON AMOUR with cinematographer Renato Berta, a special consultant on the project.
Movie - 2010, 2h 15m • as Self
When director Daniel Schmid grew up, his parents ran a hotel in the Alps, and this singular setting was to influence his film. Rather by coincidence, he came to Berlin in the early 1960s and became part of the new German wave. Schmid worked with, among others, Wenders and Fassbinder, for example, as an actor in Wender’s The American Friend. He met Ingrid Caven, who was to play a diva in several of his films. This is a documentation of a part of modern European film history and a good analysis of artistry and how it corresponds to the individual behind the camera. A wealth of archival footage brings us close to many directors and actors in Schmid’s circle. If you’ve never seen a Daniel Schmid film, you are sure to want to after watching this portrait of his life.
Movie - 2012, 2h 15m • as Self
Swiss filmmaker Daniel Schmid died on August 5, 2006, and German filmmaker Werner Schroeter on April 12, 2010. They were close friends, and along with Jean Eustache, Rainer Werner Fassbinder and Philippe Garrel were the most innovative filmmakers of the post-New Wave era.
Movie - 1997, 2h 15m • as Self
In 1996, Marcello Mastroianni talks about life as an actor. It's an anecdotal and philosophical memoir, moving from topic to topic, fully conscious of a man "of a certain age" looking back. He tells stories about Fellini and De Sica's direction, of using irony in performances, of constantly working (an actor tries to find himself in characters). He's diffident about prizes, celebrates Rome and Paris, salutes Naples and its people. He answers the question, why make bad films; recalls his father and grandfather, carpenters, his mother, deaf in her old age, and his brother, a film editor; he's modest about his looks. In repose, time's swift passage holds Mastroianni inward gaze.
Movie - 2022, 2h 15m • as Self
Renato Berta, director of photography who won a CĂ©sar in 1988, this time appears in front of the camera under the direction of Paul Lacoste, who retraces the creative process of the Swiss filmmaker. Between archive images and anecdotes about his shoots with the greatest independent directors of his time (Jean-Luc Godard, Claude Chabrol and even Louis Malle...), Renato Berta confides how, from a script, he imagines the scenes of a film.
Movie - 2007, 2h 15m • Main Cast Role
A hommage to Jean-Marie Straub's and Danièle Huillet's film Quei loro incontri (2005), and to their access to cinema itself. In various encounters and conversations Nestler offers an insight into their life and work, including passages from Italian poet Cesare Pavese.