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Keith Davis

Acting

Known For & Full Filmography6 Titles

#1The Great Mystical Circus

Movie - 2018, 2h 15m • as Médico Parteiro

4.4 / 10
DramaFantasyRomance

The story of five generations of the Austrian-Brazilian Knieps family, from the inauguration of their family-owned Great Mystical Circus in the 1910s up to the early 21st century, following both the family and the circus from their prime through to their decadence.

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#2Christopher Columbus, The Enigma

Movie - 2007, 2h 15m • as Funcionário Da Alfândega

5.6 / 10
DramaHistory

A true story of a doctor and his wife who went on a journey in order to prove that discoverer Christopher Columbus was in fact Portuguese. Inspired by the book "CristĂłvĂŁo Colon Era PortuguĂŞs".

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#33x3D

Movie - 2013, 2h 15m • as Crawford Lovekraft

4.5 / 10
ComedyDrama

A triptych of short stereoscopic films by Peter Greenaway, Jean-Luc Godard and Edgar PĂŞra. Includes "The Three Disasters" by Godard, "Cinesapiens" by PĂŞra and "Just in Time" by Greenaway.

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#4Low-Flying Aircraft

Movie - 2002, 2h 15m • as TV Presenter

6.1 / 10
Sci-FiThriller

Based on a the short story "Low Flying Aircraft" by J.G. Ballard and set in a near future where humans are dying breed. Judite and André flee to a semi-abandoned apartment complex to protect their mutant child from certain death.

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#5Lisbon Revisited

Movie - 2014, 2h 15m • Main Cast Role

5.5 / 10
Documentary

A dreamlike journey seen through the eyes of a trans-human as well as a kino-symphony of voices from the multiple personas of Fernando Pessoa, Lisbon Revisited shows alternative ways of looking at and hearing the city. Celebrating its greatest phantom and confronting his ambiguous and pervasive sexuality, the film is spoken in the three languages in which Pessoa wrote, Portuguese, English and French.

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#6The Amazed Spectator

Movie - 2016, 2h 15m • Main Cast Role

6.2 / 10
Documentary

A kino-investigation about spectatorship, a continuous conversation between different kinds of spectators: which one is more cinema: Citizen Kane on a mobile phone or a football game projected in a cinema theatre? What is the cinema of uncertainty? How many kinds of amazement exist? Does fear and belief precede amazement? What are the rights and duties of the spectator? Is the essay film a manifesto against voyeurism? Should spectators be paid? What amazes the spectator of this day and age?

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