Gino Piserchio

Acting
1944-09-05
Orange, New Jersey, USA

Biography

Eugene "Gino" Piserchio was an American actor, composer and musician. Piserchio was noted for being an accomplished musician. He was one of the first musicians to master the Moog synthesizer.

Known For & Full Filmography4 Titles

#1A Lovely Way to Die

Movie - 1968, 2h 15m as Michel (uncredited)

4.8 / 10
MysteryCrimeDrama

A cop quits the force after too much disappointment in the system. He becomes a bodyguard of a rich recent widow. She is on trial for her husband's murder. He decides to help her clear her name... and get over her husband.

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#2Beauty #2

Movie - 1965, 2h 15m as Self

7.3 / 10
DramaRomance

The movie has a fixed point of view showing a bed with two characters on it, Sedgwick and Piserchio. Chuck Wein is heard speaking but is just out of view. Sedgwick is wearing a lace bra and panties, and Piserchio, wearing only jockey shorts, engage in flirting and light kissing. Wein asks Sedgwick questions seemingly designed to harass and annoy her. Piserchio is more or less a bystander not interacting with Wein. The dialogue seems created adlib and no conclusions are reached in the film. The only conceivable climax is when Sedgwick finally becomes so mad, she throws a glass ashtray at Wein, breaking it.

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#3Space

Movie - 1965, 2h 15m Main Cast Role

9.0 / 10

A melange of casual talking, food fights, and folk singing. The film includes Eric Andersen with his guitar, singing his lines, and leading Edie Sedgwick and her friends in unscripted sing-alongs of popular songs including "Puff the Magic Dragon" and "The Battle Hymn of the Republic".

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#4Andy Warhol Screen Tests

Movie - 1965, 2h 15m as Self

8.0 / 10
Documentary

The films were made between 1964 and 1966 at Warhol's Factory studio in New York City. Subjects were captured in stark relief by a strong key light, and filmed by Warhol with his stationary 16mm Bolex camera on silent, black and white, 100-foot rolls of film at 24 frames per second. The resulting two-and-a-half-minute film reels were then screened in 'slow motion' at 16 frames per second.

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