Ursula Mohan
Known For & Full Filmography6 Titles

Drama Series - 1991, 16 episodes • as Market Researcher
They're just your average family. Stressed mum Bill, daft dad Ben, and two troublesome teens. Plus just a few crazy ideas, escapades and mishaps. The classic 90s sitcom.

Drama Series - 1969, 16 episodes • as Liz
On the Buses is a British comedy series created by Ronald Wolfe and Ronald Chesney, broadcast in the United Kingdom from 1969 to 1973. The writers' previous successes with The Rag Trade and Meet the Wife were for the BBC, but the corporation rejected On the Buses, not seeing much comedy potential in a bus depot as a setting. The comedy partnership turned to a friend, Frank Muir, Head of Entertainment at London Weekend Television, who loved the idea; the show was accepted and despite a poor critical reception became a hit with viewers.

Drama Series - 1980, 16 episodes • as Sarah Berry
Victorian England, the late 1800s: Detective Sergeant Daniel Cribb of the newly formed Criminal Investigation Department (CID) is determined to remove crime from the streets of London using the latest detection methods.

Drama Series - 1970, 16 episodes • as Moira
Tales of Unease was a British supernatural drama series based on a series of horror story anthologies, edited by John Burke. The series ran for seven episodes in 1970. The anthologies were published between 1960 and 1969.

Movie - 1968, 2h 15m • as Avant-garde Actress
Adapted and directed by Peter Brook from the Royal Shakespeare Company’s ‘production-in-progress US’, this long-unseen agitprop drama-doc – shot in London in 1967 and released only briefly in the UK and New York at the height of the Vietnam War – remains both thought-provoking and disturbing. A theatrical and cinematic social comment on US intervention in Vietnam, Brook’s film also reveals a 1960s London where art, theatre and political protest actively collude and where a young Glenda Jackson and RSC icons such as Peggy Ashcroft and Paul Scofield feature prominently on the front line. Multi-layered scenarios staged by Brook combine with newsreel footage, demonstrations, satirical songs and skits to illustrate the intensity of anti-war opinion within London’s artistic and intellectual community.
