Pat Wallis

Drama Series - 1970, 16 episodes • as Flo

Play for Today is a British television anthology drama series, produced by the BBC and transmitted on BBC1 from 1970 to 1984. During the run, more than three hundred programmes, featuring original television plays, and adaptations of stage plays and novels, were transmitted. The individual episodes were between fifty and a hundred minutes in duration.

Movie - 1974, 2h 15m • as Barmaid

Poet Daniel Tasker moves to a small Yorkshire village, where he perturbs and disturbs the locals, except for Lizzie, who has feelings awakened in her that change her life.

Movie - 1976, 2h 15m • as Nora

In the best play of 1912, the conventional morals and manners of a North England mill town are overthrown by a young woman with ideas far ahead of her time.

Movie - 1974, 2h 15m • as Rhona

The true story of a strike in 1970 by female textile-factory workers in Leeds who wanted to be paid the same as their male colleagues, but whose efforts were undermined by the trade union that they belonged to.

Movie - 1974, 2h 15m • as Mrs Longbottom

Keith Waterhouse's near autobiographical tale about characters from his childhood.

Movie - 1973, 2h 15m • as Flo

A father leaves his grown-up family to move in with his lover in the south, alienating himself from his four children.

Movie - 1979, 2h 15m • as Mrs Gorgandy

When honest young Tolly is forced on the run with ‘Black Jack’, a villainous ruffian, adventure and mishap are never far away. As the two enter a world of body-snatchers, private lunatic asylums, and travelling fairs, they find friendship in the most unlikely places.

Movie - 1976, 2h 15m • as Woman Shopper

Miss Shepherd of the registry office is getting a new desk, but things don't go entirely as expected.

Movie - 1982, 2h 15m • as Housewife

A planning decision must be made, and the motorway extension must go through on either the Golf Course or the Allotments - will the greens survive or the peasant lands?

Movie - 1978, 2h 15m • as Billy's Mother

'I'd stake my reputation on it. These photographs are not faked.' But how could photographs, taken on a simple camera by two Yorkshire village girls, have momentous implications for man's understanding of the world?