Erwin Huppert

Movie - 1998, 2h 15m • Main Cast Role

Amours décolorées is a cinematographic poem to the glory of Mariola San Martin, model, stylist, dancer and Spanish photographer.

Movie - 1978, 2h 15m • as N°54

Cinématon is a 156-hour long experimental film by French director Gérard Courant. It was the longest film ever released until 2011. Composed over 36 years from 1978 until 2006, it consists of a series of over 2,821 silent vignettes (cinématons), each 3 minutes and 25 seconds long, of various celebrities, artists, journalists and friends of the director, each doing whatever they want for the allotted time. Subjects of the film include directors Barbet Schroeder, Nagisa Oshima, Volker Schlöndorff, Ken Loach, Benjamin Cuq, Youssef Chahine, Wim Wenders, Joseph Losey, Jean-Luc Godard, Samuel Fuller and Terry Gilliam, chess grandmaster Joël Lautier, and actors Roberto Benigni, Stéphane Audran, Julie Delpy and Lesley Chatterley. Gilliam is featured eating a 100-franc note, while Fuller smokes a cigar. Courant's favourite subject was a 7-month-old baby. The film was screened in its then-entirety in Avignon in November 2009 and was screened in Redondo Beach, CA on April 9, 2010.

Movie - 1980, 2h 15m • as The theater man

Elisabeth takes the train from Paris to Rome to join her husband Jacques, an artist. An Italian man approaches her on the train. During the meal they share, he slaps her. This does not prevent Elisabeth from feeling the desire to make love to Leonardo. In the compartment they share, she pleasures herself in front of Leonardo, who scrutinizes her closely with a flashlight. In Rome, Jacques is waiting for her. Over the next few days, Leonardo tries unsuccessfully to rekindle his relationship with Elisabeth. However, tired of painting, Jacques decides to return to Paris to pursue a career in film...

Movie - 1984, 2h 15m • as Self

The shooting diary of a film shot in France and in the United States. Using photos of Paris and of New York City, excerpts of his former films, statements by friends of his and shooting sequences of the film itself, tormented filmmaker Marcel Hanoun has made a heterogeneous and unclassifiable film about the difficulty of filming.