Inge Vesten

Movie - 1934, 2h 15m • as Frauen-Arbeitsdienst

Nazi propaganda film in which German girls from differing walks of life come together to serve the Fatherland in the 'Bund deutscher Maedl,' by harvesting crops, doing housework, acting as midwives, helping with handicrafts, and singing songs.

Movie - 1936, 2h 15m • Main Cast Role

Before he became cult director Douglas Sirk, Detlef Sierck cut his teeth on such lavish European star vehicles as Das Hofkonzert (The Court Concert). Marta Eggerth is cast as Christine, a young singer who aspires to find out who her father was. Her odyssey brings her to the court of a mythical kingdom, where she is romanced by handsome lieutenant Walter (Johannes Heesters). He is warned not to lose his heart to a "commoner," but all turns out all right when King Serenissimus (Otto Tressler) turns out to be Christine's long-lost daddy. Hofkonzert was designed as a comeback for Marta Eggerth, whose star had eclipsed by the mid-1930s.

Movie - 1938, 2h 15m • as Inge, Trautes Tochter

1900: Much to the chagrin of Baron Uhlendorff in Schoneberg, the city of Berlin is expanding. But what is much worse is that his son George is in love with Traute, the daughter of the master carpenter Schradecke. So the son must leave for South America as a diplomat and Father Schradecke has to intercept his letters to his daughter. Traute is inconsolable; 1913: The early days of the small artisans have now given way to them becoming big businessmen. Traute continues to wait for George in spite of the stubborn proposing by the carpenter Paul Buttner.

Movie - 1936, 2h 15m • Main Cast Role

After her husband dies, a German woman who gave up her infant for adoption to emigrate to America returns to Germany, discovering that her child is being raised by a married orchestra conductor.

Movie - 1936, 2h 15m • as Gesellschafterin der Herzogin

The film is set during the Italian Renaissance in the 14th century. Petruccio lives in Ferrara with his wife, Fiametta. Initially, he works as a scribe at the city court. Under the pseudonym Giovanni Boccaccio, he writes amorous tales that divide opinion within the city. While the women read the texts with delight, the men are outraged by their moral licentiousness.