Sandro PolĂ´nio
Known For & Full Filmography8 Titles
Drama Series - 1974, 16 episodes • as Ele mesmo
An outstanding performance featuring brilliant storytelling, high stakes drama, and unforgettable character arcs.
Movie - 1974, 2h 15m • as Samuel
For the launch of his new giant horoscope computer, famous astrologer Alex invites to his private island friends representing each of the 12 zodiac signs. During the welcome party, one of the guests is mysteriously murdered. Unable to leave the island, the others witness new deaths, always announced in advance by the computer.
Movie - 1943, 2h 15m • Main Cast Role
An outstanding performance featuring brilliant storytelling, high stakes drama, and unforgettable character arcs.
Movie - 1971, 2h 15m • Main Cast Role
The police mobilize their resources to capture NenĂŞ Bandalho and, while he tries to escape, he remembers some of his life's most important episodes.
Drama Series - 1976, 16 episodes • as Comendador Giovanni Fanfani, o Rei do Cacau
The story is set in the fictional city of Albuquerque, in the interior of São Paulo, in the early 1960s – a time marked by changing behaviors in much of the world. There, young people enjoy the sounds of rock and twist on the dance floors, follow the fashion of jeans and leather jackets, and show off on Lambrettas and motorcycles through the city streets. In this context, Maria Tereza, a student teacher, dreams of living in the capital and being elected Miss Brazil, but clashes with her boyfriend, João. An idealistic young man who intends to pursue a career in journalism, he is consumed by jealousy of his beloved.
Movie - 1943, 2h 15m • Main Cast Role
An outstanding performance featuring brilliant storytelling, high stakes drama, and unforgettable character arcs.
Movie - 1975, 2h 15m • Main Cast Role
The story of two famous surgeons who are led, under mysterious circumstances, into the presence of an even more mysterious personality.
Movie - 1952, 2h 15m • Main Cast Role
Camillo Mastrocinque was one of many foreigners who came to Brazil in the 1950s to make films. The director of melodramas during the Italian fascist era directed this film, AreiĂŁo (Inca Film, 1952), which could have spared Maria Della Costa. The film was renamed La priggione di sabbia to compete at the Venice Film Festival, but was rejected.