Peppi Borza

Movie - 1972, 2h 15m • as Muleteer

In the 16th century, poet, playwright and part-time actor Miguel de Cervantes has been arrested, together with his manservant, by the Spanish Inquisition. They're accused of presenting an entertainment offensive to the Inquisition. Inside the huge dungeon into which they have been cast, the other inmates gang up on Cervantes and his manservant, staging a mock trial, with the intention of stealing or burning his possessions. Cervantes wishes to desperately save a manuscript he carries with him and stages, with costumes, makeup, and the participation of the other prisoners, an unusual defense—the story of Don Quixote.

Movie - 1976, 2h 15m • as Dancer

A university professor opens a sexual Pandora's box when he hands his class an assignment to explore their deepest carnal fantasies and desires. As the students begin to plumb their secret passions, they find themselves propelled into an erotic world where theory soon yields to practice.

Movie - 1986, 2h 15m • as First Vervoid

As evidence for the defense at his ongoing trial, the Doctor presents an adventure from his future when he is travelling with a computer programmer named Mel. Answering a mysterious distress call from the space liner Hyperion III, they find that the passengers aboard include unscrupulous scientists, secret agents, saboteurs, thieves and a murderer. And lurking in the shadows are the Vervoids, the product of sinister botanical experiments, who will stop at nothing to destroy all non-plant life.

Movie - 1976, 2h 15m • as Pirate #3

Peter Pan is a 1976 musical adaptation of J. M. Barrie's Peter Pan, or the Boy Who Wouldn't Grow Up, produced for television as part of the Hallmark Hall of Fame, starring Mia Farrow as Peter Pan and Danny Kaye as Captain Hook, and with Sir John Gielgud narrating. Julie Andrews sang one of the songs, "Once Upon a Bedtime", off-camera over the opening credits. It aired on NBC at 7:30pm on Sunday, December 12, 1976, capping off the program's 25th year on the air. The program did not use the score written for the highly successful Mary Martin version which had previously been televised many times on NBC. Instead, it featured 14 new and now forgotten songs, written for the production by Anthony Newley and Leslie Bricusse.