Mette Lange-Nielsen

Movie - 1960, 2h 15m • as Kontordame

Mountain climbing and its dangers get a different twist in this standard drama by Norwegian director Tancred Ibsen. When one of two climbing buddies returns from an attempt to scale Eagle Peak, he is happy to claim his award for being the first to reach the summit. But his celebration is short-lived after his friend comes back down from the mountain with another version of his "victory" climb. This second version has the supposedly successful climber cast as an attempted murderer. The story behind the climb comes out in flashbacks as the Alpine Club reviews the accusation.

Movie - 1967, 2h 15m • as Husmor

A caretaker at a music academy is solving most problems for the young musicians, however not only the most appropriate way. But down inside he really has a dream of his own, which goes far beyond being the caretaker.

Movie - 1980, 2h 15m • as Fru Paulsen

An outstanding performance featuring brilliant storytelling, high stakes drama, and unforgettable character arcs.

Movie - 1966, 2h 15m • as Lina Gabrielsen

" Broder Gabrielsen " in its time awoke a major debate , and already during the shooting of the film went high waves in the press . The film points a strong warning against religious fanaticism and against contemporary preachers, and it met then also strong opposition from some of these . In the film we meet the piecemeal lay preacher , Brother Gabrielsen ( ALF MALLAND ) , who discovers how modern music , rhythms and ecstasy gives great success when it comes to getting listeners to his preaching . He will soon get his big break , and keeps ecstatic revival meetings with tongues and " healings " through prayer . It ends in discouragement and defeat then wonders absent for Gabrielsen , and personal tragedies for those who were misguided .

Movie - 1960, 2h 15m • as Self

The anniversary of The Norwegian Artists' Association. // Oslofilm was a series of public information films about life in and around Oslo, produced between 1940 and 1980. Funded by the state, the films offer valuable insight into postwar Norwegian society. A wide range of Norwegian filmmakers contributed to the productions, resulting in a rich variety of styles and expressions. Several of the films also possess notable cinematic qualities, standing out as more than just informational material. The Oslofilms represent a unique and important chapter in Norwegian film history.

Movie - 1959, 2h 15m • Main Cast Role

The film is about suburban families, trying to be perfect housewives, and their theories in what is the right way of treating and accepting husbands and kids.

Movie - 1961, 2h 15m • Main Cast Role

Thorvald runs a local bus route, with a 1923-model bus nicknamed 'Gamla', in the Norwegian country side. Thorvald himself always takes time to make numerous stops along his route to help out with the smallest of problems. The old man is so caring he sometimes forgets to charge money from his travelers. But modern times are lurking on the doorstep - in the figure of a grumpy county official and an offer from an outside bus company.

Movie - 1951, 2h 15m • as Viv Førnes

Ambros Fornes owns two large farms and stunning four horses. These horses comes to fill his life because his young beautiful wife, Lisle, does not manage to love him as he loves her.

Movie - 1956, 2h 15m • as Søster Britt

Finn Ek has a lover, Monica. When his wife Cecilia finds out, she is devastated and leaves town.

Movie - 1963, 2h 15m • Main Cast Role

One autumn day, Ivar goes to the Botanical Garden in Oslo to visit Maria who is the mother of a little girl named Tilla. Ivar is a child psychologist and had Tilla observed a few months earlier. Treatment for her was agreed upon, but Maria has not returned with Tilla. Now Ivar finds her sleeping under a tree in the garden, and he meets Maria bent over a microscope in the laboratory. Maria has become even more nervous and unbalanced than the last time he met her, because nothing has been "corrected" as quickly as she had hoped -- Tilla has not spoken now for a year and a half. Maria herself is on her way to being as closed off as her own little girl. Ivar persuades Maria to come to the pediatric psychiatric clinic with Tilla so they can begin her treatment. There she meets Mimi Backer. But neither does Mimi get Maria to open up about her experiences with Tilla. In the clinic's observation room, however, the first little flicker of light falls on the mystery...

Movie - 1972, 2h 15m • Main Cast Role

Private detective Ture Sventon is visited by his friend Mr. Omar of the Arabic desert. Sventon decides to travel with Mr. Omar on his flying carpet to Paris. However, Sventon almost exclusively lives on cream puffs, and to transport these across the continent, he needs a portable fridge. He pays a visit to Stockholms foremost fridge inventor and are introduced to a new fridge which shrinks and deshrinks the food. The inventor is afraid his new invention will be stolen, and thus Sventon brings it to Paris where it gets stolen.

Movie - 1973, 2h 15m • Main Cast Role

Lina is in her best age, mid-30s. She is strong-willed, resilient and self-conscious. There has never been a man in her life, on the contrary, she even had to play the man's role on the small farm to sustain herself and the parents. But the quest for true love and longing for a man is still strong. She has never had the opportunity to realize this dream in the confined environment she lives in. Her obstinacy has also scared off the men. But one day Gilbert returned to the village after being in America for 20 years.

Movie - 1975, 2h 15m • as Vertinnen

Marion is born limp and with a scarred face. Georg is also limp after a car accident. it takes more than a man to go together.