Frances Nelson

Movie - 1916, 2h 15m • as Glory Moore

Glory Moore, a young girl, finds herself left unprovided for after her father's death, as the farm has to be sold to pay his debts.

Movie - 1917, 2h 15m • as Shirley Bryson

The home of Mrs. Bryson and her two daughters is happy except for the poverty that prevents the girls from sending their sick mother away to the mountains. Both help to support the household, but it is Shirley who feels the responsibility of her mother's approaching death and her worry is evident to all about her. She is employed in a manicure shop frequented by wealthy men and meets Wilfred Templeton, who invites her to dine with him. He questions her about her dejected air and she tells him of her mother's illness. This is Templeton's opportunity, and he asks her to make a bargain with him. He will give her all the money she needs and in return she is to live with him in an apartment which he will establish for her.

Movie - 1915, 2h 15m • as Marguerite Lawson

An outstanding performance featuring brilliant storytelling, high stakes drama, and unforgettable character arcs.

Movie - 1917, 2h 15m • as Margot

Artist model Margot uses her “Power of Decision” to choose between two men she loves, after much distress of course!

Movie - 1917, 2h 15m • as Louise Joyce

Believed to be a lost film. A woman's reputation is sullied, and then recovers. Based on the poem "Reveries of a Station House" by Ella Wheeler Wilcox.

Movie - 1916, 2h 15m • as Myra Dymsley

WAS IT Better For Her To Have Loved and Sinned Than Never to Have Sinned At All? STOP--CONSIDER The girl he led astray was another man's sister. Yet-He protected the honor of his own sister with his life. IT'S ALL IN THE POINT OF VIEW.