Gina Kim

Gina Kim

Directing
1973-12-31
Seoul, South Korea

Biography

From Wikipedia, the free encyclopedia. Gina Kim (born 1973, Korea) is a director, documentary filmmaker, and academic. She is known for her deeply personal films that explore issues such as gender, race, and diaspora. Much of her work explores Korean culture in an explicitly self-reflexive and emotive way. Kim's first noted documentary was Gina Kim's Video Diary, begun in 1995 when she had recently arrived in Los Angeles, and completed in 2002. Invisible Light (2003) is about a woman married to a man named Jun and another involved in an affair with him.[1] Kim's fictional film, Never Forever (2007), featured a well-reviewed starring performance by actress Vera Farmiga and premiered at the Sundance Film Festival. Her documentary, Faces of Seoul (2009), "reveals Korea's capital as a dynamic place where these opposing concepts--language vs. image, tradition vs. modern, native knowledge vs. exotic encounter--rub against each other without yielding a single dominant perspective." Kim studied at CalArts and was a full-time lecturer at Harvard University's Department of Visual and Environmental Studies (housed in the Carpenter Center for the Visual Arts) between 2004 and 2007. Description above from the Wikipedia article Gina Kim, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Known For & Full Filmography3 Titles

#1Green Luck

Movie - 2021, 2h 15m as Lilian (Front Desk Secretary)

9.0 / 10
Comedy

Luck unexpectedly flips for an underachieving mama's boy on his 17th job interview.

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#2In the Mood for Melville

Movie - 2017, 2h 15m as Self

4.5 / 10
Documentary

Various directors and film critics discuss Jean-Pierre Melville’s importance and influence in the world of cinema.

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#3Gina Kim’s Video Diary

Movie - 2002, 2h 15m as Herself

7.0 / 10
Documentary

When Gina Kim turned twenty-two, she decided to leave her home in Korea and not return. Taking advantage of an opportunity to study abroad, she was anxious to escape her mother’s authority and avoid a similar fate as an overweight, underappreciated housewife. Traumatized by her decision, the filmmaker began to develop symptoms of anorexia and proceeded to document her mental decline and eventual recovery. Combining video performance art with an intimate home-movie diary, this self-documented coming-of-age story demonstrates how video technologies can be used to capture the most intimate, confessional voice of a filmmaker.

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