Juozas Miltinis

Movie - 1953, 2h 15m • Main Cast Role

The rise of a Lithuanian collective farm in the post-war years and the struggle against the remnants of the past in people's minds.

Movie - 1969, 2h 15m • as Second Chess Player

Before the end of the Second World War, a special commando marches into a mental hospital located in a beautiful manor house to eliminate the patients. But the Gestapo has received an anonymous letter saying that an enemy agent is hiding among the madmen. Officer Windisch is tasked with finding a simulant among several hundred mental patients in a matter of days.

Movie - 1960, 2h 15m • as Captain

In a pre-WWII Lithuanian town, occupied with unemployed workers and crooks of various kinds, lives Adam, a naive young man with no job and a lot of dreams. His closest friend is the Captain, an old sea wolf with many tales to tell about Singapore, Hawaii and other equally exotic and sunny places. Inspired by his stories, Adam manages to get a job in an emigration bureau and starts saving for his ticket to leave abroad.

Movie - 1966, 2h 15m • as Yla

Young poet remembers the most important scenes from his life as he is arrested during the first days of the war.

Movie - 1963, 2h 15m • as inžinierius Virkutis

In 1943, Alex, who recently returned to the city of Kaunas, tries to join the anti-Nazi resistance, but is captured and imprisoned. He soon starts planning his escape.

Movie - 1969, 2h 15m • as The keeper of the stables

This “naive” film, as the author himself calls it, is a kind of confession of a young man. Driven by an inexplicable impulse, high school graduates ran away from a formal museum tour.

Movie - 1936, 2h 15m • as The Russian

Helene is based on Helene Wilfur, a novel by Vicki (Grand Hotel) Baum. Madeleine Renaud essays the title role, a young medical student in love with aspiring musician Pierre Regnier (Jean-Lous Barrault). Pierre's father, a noted surgeon, puts pressure on his son to give up music in favor of medicine. Unable to withstand his father's remonstrations, Pierre kills himself, prompting the grieving Madeleine to forget all about romance and dedicate her life to the cause of healing others. Wilfur avoids the usual soap-opera goo by offering realistic performances and credible dialogue (the English-language subtitles were composed by erudite film critic Herman G. Weinberg).