Lia Angeleri
Known For & Full Filmography9 Titles
Drama Series - 1969, 16 episodes • as Signora Althaus
An outstanding performance featuring brilliant storytelling, high stakes drama, and unforgettable character arcs.
Movie - 1960, 2h 15m • as Vipidia
Messalina was the Roman noblewoman who inveigled ageing emperor Claudio into marriage. Once ensconced on the throne, Messalina launched a reign of terror that shook the empire to its very foundations. The subject of countless film treatments, Rome's most villified empress is herein played by British actress Belinda Lee.
Movie - 1961, 2h 15m • Main Cast Role
Constantine is fighting against Barbarians with his father when he is called to Rome. In his way to Rome, he falls in an ambush planned by Maxence, who wants to become emperor.
Movie - 1953, 2h 15m • Main Cast Role
An outstanding performance featuring brilliant storytelling, high stakes drama, and unforgettable character arcs.
Movie - 1962, 2h 15m • Main Cast Role
Study of 1960s Milanese social life and its glamorous depravity, as seen through the story of the working class Mario who dreams of social climbing.
Movie - 1959, 2h 15m • Main Cast Role
An Italian drama directed by Leopoldo Savona.
Movie - 1960, 2h 15m • Main Cast Role
A prostitute is robbed and murdered. A fourteen-year-old girl sees a suave gigolo come out of the hotel where the murder occurred. She has a schoolgirl crush on the handsome man though, so instead of reporting the crime she befriends him.
Movie - 1953, 2h 15m • Main Cast Role
A meek and simple-minded boarding school teacher falls in love with a prostitute and gets the boot from school. He tries to have her change her way of living but she is very hard to convince. When she finally realizes he really loves her it is too late.
Movie - 1967, 2h 15m • as Corifea
In 1967 the director Vittorio Cottafavi produces the TV movie Le Troiane from Euripides. He uses the classical Italian translation by Enzio Cetrangolo, but creates an original way of film adaptation, inspired by the Brechtian conception of staging the ancient theater. He does not use costume or set design, but is based only on the simple performance of the actors, highlighted by the shooting technique. The absolute sense of tragedy is perceived by the public through emotional engagement and imagination. So, the Trojan war is all the wars and the pain of the Trojan women is the pain of all the victims of any war.