Selma Urfer

Drama Series - 1963, 16 episodes • as Selma Stein

Das Kriminalmuseum was a German television series. It ran from 1963 to 1970 on ZDF and was one of its first programs. Each episode began with a tracking shot through an unspecified crime museum, stopping at one of the displays, whose story was then told. Each episode was between 60 and 75 minutes long and featured different actors as the criminal commissioner. The best known was Erik Ode, who in 1969 moved to Der Kommissar, appearing in 97 episodes. The theme music of the series was written by German composer Martin Böttcher, who also composed the complete scores for five episodes.

Drama Series - 1963, 16 episodes • as Marianne Dreher

Das Kriminalmuseum was a German television series. It ran from 1963 to 1970 on ZDF and was one of its first programs. Each episode began with a tracking shot through an unspecified crime museum, stopping at one of the displays, whose story was then told. Each episode was between 60 and 75 minutes long and featured different actors as the criminal commissioner. The best known was Erik Ode, who in 1969 moved to Der Kommissar, appearing in 97 episodes. The theme music of the series was written by German composer Martin Böttcher, who also composed the complete scores for five episodes.

Movie - 1962, 2h 15m • as Mrs. Peabody

Norbert Lang inherits a hotel and has to deal with a multitude of problems at the end of the year. There's the pushy singer who wants to get closer to him than he'd like. The staff quickly takes off after arguments. When the heating starts acting up, he has to hire a repairman. But the repairman shows up with unexpected backup and causes even more chaos.

Movie - 1997, 2h 15m • as Self

Dominik Graf, now a leading filmmaker, revisits his late father Robert Graf’s acting career (1956–1966), during which Robert appeared in 20 features and 25 TV dramas by directors like Hoffmann, Staudte, Siodmak, Sturges, and Comencini. Through archival clips and personal reflections, Dominik “meets” his father and confronts the West German society and film industry of that era, where scripted narratives often outweighed real life.