Theodora Remundová

Movie - 2002, 2h 15m • as Zuzana

A dark and absurd road-movie comedy in which the grandmother fulfills a dream, the mother stops treating her daughters like kids, the daughters stop treating their husbands like idiots, and the father's ashes get spread all over the country.

Movie - 2000, 2h 15m • as Jana Zachová

Alice Nellis's small-scale debut tragicomedy spotlights small-town elections. The protagonist, a university student name Jana (Theodora Remundová) who is trying to solve a troubled relationship with a married man, takes her mother's place on the election commission. In the meantime the mother (Iva Janzurová) is going through her own small domestic crisis with her husband (Leos Sucharípa). Thanks to excellent acting performances and restrained direction, the film convincingly outlines interpersonal relations and their light social overtones.

Movie - 1981, 2h 15m • Main Cast Role

A loose sequel to the 1976 comedy Stormy Wine. The screenwriters and the director recreate on screen a number of characters from the South Moravian town of Pálavice, characterised by their different attitudes and approaches to work and private life. A number of serious issues touching on the times emerge around the story of the con man. The fundamental dispute between the vice-chairman Janák and the chairman of the merged cooperatives ing. Urban, as well as the satirical theme of illegal machinations and bribes, are undoubtedly of general validity.

Movie - 1999, 2h 15m • as Anna (segment "Absolutní láska")

A four-story omnibus depicting different Czech slices-of-life from the titular city.

Movie - 2024, 2h 15m • as Self

Theodora Remundová’s documentary portrait looks at Iva Janžurová’s dramatic and comedic roles in both film and theater, as well as the roles she has played in her family and in social and political life. The director (Janžurová’s daughter) has created a film filled with the truthfulness, sincerity, and capacity for self-reflection of a woman who has devoted her life to acting. The use of clearly staged scenes is combined with an openly acknowledged effort to avoid the kinds of clichés usually found in biographical documentaries to create an organic whole that provides an overview of Janžurová’s pivotal roles while also sharing highly personal and intimate moments from her life. Vít Kořínek (kviff.com)