Ivan Ostrochovský

Ivan Ostrochovský

Directing
1972-11-12
Zilina, Czechoslovakia [now Slovakia]

Biography

Ivan Ostrochovský (born 11 December 1972, Žilina) is a Slovakian film director, screenwriter and producer. He graduated from Bratislava’s Academy of Performing Arts.

Known For & Full Filmography3 Titles

#1The Unbalanced

Movie - 2023, 2h 15m as Publisher

5.0 / 10
Drama

After a painful divorce, 50-year-old Nadia finally finds a good flat for reasonable price for her and her daughter. Too good to be true, and soon, albeit too late, she comes to understand the reason for the bargain. Her close neighbour in the house is mentally ill Valika who terrorises everyone around her. Piussi’s film creates a string of absurd encounters with increasingly menacing effects, but it is – at its core – a fantastically precise film about humanism, its consequences, its possible limits.

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#2The Man with Hare Ears

Movie - 2021, 2h 15m Main Cast Role

5.0 / 10
ComedyDrama

Josef is a writer aged sixty, who thinks that nothing can surprise him any more. One evening, though, his phone rings and he finds himself caught up in a series of events that turn his world upside-down. His best friend – also a writer – tries to commit suicide; his young girlfriend Katka tells him she’s pregnant; and the man with hare ears – his alter ego from one of his stories – appears to him in everyday situations.

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#3The Invisible Jan Gogola

Movie - 2026, 2h 15m as Self

8.8 / 10
Documentary

A dramaturg is present during the writing of the screenplay, but does not write the film. A dramaturg is present on set, but does not direct the film. A dramaturg sits in on the editing process, but does not edit the film. A dramaturg is also involved in many other activities throughout a film’s production, yet performs none of them directly. In this sense, the dramaturg is invisible. The same could be said of the life of the distinguished Czechoslovak dramaturg Jan Gogola, who influenced countless stories throughout his career—including this documentary itself. His portrait is, in fact, being dramaturgically shaped in real time as the film unfolds.

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