Libuše Komancová

Movie - 1970, 2h 15m • as Handmaid in Training

Valerie, a Czechoslovakian teenager living with her grandmother, is blossoming into womanhood, but that transformation proves secondary to the effects she experiences when she puts on a pair of magic earrings. Now seeing the world around her in a different light, Valerie must endure her sexual awakening while attempting to discern reality from fantasy as she encounters lecherous priest Gracian, a vampire-like stranger and otherworldly carnival folk.

Movie - 1972, 2h 15m • Main Cast Role

Slacker Maurice Fadinar wasted his whole inheritance and the only way out of this situation, as it seems, to marry Helen Nonankur - daughter of a wealthy farmer. At the last meeting with his mistress in a nearby forest Fadinar's horse eats straw hat which belongs to a married lady, spending time in the company of young and hot Lieutenant Emil. Emil literally puts a knife to Maurice throat - or the lady will get back the exact same hat immediately, or he will arrange such a scandal that no wedding will not happen ...

Movie - 1971, 2h 15m • Main Cast Role

This Czechoslovakian children’s film takes place during the last days of the Austro-Hungarian empire. The young son of a horse trainer loves nothing more than riding his horse, until he is stricken by polio…

Movie - 1975, 2h 15m • Main Cast Role

Set in the early 1930s, a young man finds a job as a dishwasher in a hotel and quickly works his way up the ladder. Loosely based on the novel by Henryk Worcell.

Movie - 1990, 2h 15m • as Laundress (uncredited)

Set in a bleak, filth-ridden provincial hospital, a disillusioned doctor begins to find the philosophical ramblings of a mental patient more stimulating than the company of "sane" society. As their relationship deepens amidst the grimy and decaying wards, the doctor's own mental health is called into question by his suspicious colleagues.

Movie - 1978, 2h 15m • Main Cast Role

A story of love and honor that takes place during the mid-nineteenth century during revolutions, as well as economic, political, and social hypocrisy. Two extraordinary but lonely artists share a passionate love, as evidenced by the preserved letters that they exchanged.