Carol Vaness

Movie - 2019, 2h 15m • as Self

Featuring never-before-seen footage, concert performances and intimate interviews, filmmaker Ron Howard examines the life and career of famed opera tenor Luciano Pavarotti.

Movie - 2004, 2h 15m • Main Cast Role

Recorded live at The Glyndebourne Festival Opera. Idomeneo, King of Crete, has been away from home during the long years of the Trojan War. Idamante, his son and now regent of the island, waits for his return, heralded by the arrival in Crete of Trojan prisoners. One of these prisoners is Ilia, daugher of the murdered King Priam of Troy. Idamante has fallen in love with Ilia, but is loved by Electra, daughter of the Greek King Agamemmnon, who has taken refuge in Crete. This production marked the operatic debut of Trevor Nunn. It has been much-acclaimed for its dramatic effect, blending Minoan Crete with the ritualistic delicacy of Japanese theatre. This dynamic stylisation is appropriately reclected in John Napier's considered and elegant designs. Bernhard Haitink conducts the London Philharmonic in a forceful account of the music.

Movie - 1983, 2h 15m • as Elettra

Live from Glyndebourne 1983

Movie - 1996, 2h 15m • as Self

This tribute to James Levine, first shown on PBS, was only part of that glorious evening. Here we have the whole performance, up to three hours. I could not stop watching these discs. Let me say this much; Levine has done for the Met, making it the premier opera house in the world, what Karajan did with the Berlin, making it one of the finest orchestras ever. So sit back and enjoy.

Movie - 1985, 2h 15m • Main Cast Role

From the "James Levine: Celebrating 40 Years at the Met" DVD box set. Jean-Pierre Ponnelle’s landmark production of Mozart’s most human comedy provides the perfect setting for this superb cast under James Levine’s ebullient leadership. The philandering and arrogant Count Almaviva (Thomas Allen) is no match for his wily servant Figaro (Ruggero Raimondi), whose soon-to-be-wife Susanna (Kathleen Battle) is as manipulative as she is charming. Add in one beautiful, disillusioned Countess (Carol Vaness) and one irrepressible, testosterone-laden teenage boy (Cherubino, played by Federica von Stade), and it’s no wonder some critics say this is the perfect opera.