Monika Mironaitė

Movie - 1980, 2h 15m • as Pelkių Ragana

A little boy and a story teller look into the microscope to find out that the world in a drop of a water looks like a real world, so they dive into it and meet different personalities, miracles and events.

Movie - 1971, 2h 15m • Main Cast Role

Arūnas, an 18 year old high-school graduate from the port town, is going through a crisis. He is stressed by the school routine. At home, his father bores Arūnas with his constant recollections about fighting in an antifascist guerrilla squad, while his mother unexpectedly turns back to her old dream of becoming an artist and decides to leave the house, taking her younger son Saulius with her. His father ends up in hospital, because of a grenade fragment lodged in his spine since the war. Arūnas is surrounded by the betrayal of friends.

Movie - 1984, 2h 15m • as взрослая Агата

Fragments of the stories were dramatized: R. Bradbury “I Sing About the Mechanical Body” (about the work of an electronic grandmother who, having human qualities, gives tenderness to children deprived of maternal affection) and I. Varshavsky “There are no alarming symptoms” about Professor Clarence, who agrees to an operation that deprives him of human emotions.

Drama Series - 1986, 16 episodes • as Misis Boil

An outstanding performance featuring brilliant storytelling, high stakes drama, and unforgettable character arcs.

Movie - 1981, 2h 15m • as Ela

The film is based on the novel of the same name by P. Kuusberg and tells about the fate of former classmates, high school students, during the Second World War and in the post-war period.

Movie - 1986, 2h 15m • Main Cast Role

The play tells about Christmas Eve in an old people's home, from which the residents long to leave to their families, but life dictates its own rules.

Movie - 1969, 2h 15m • as Stepono našlė

A survivor of a Nazi concentration camp returns to his life in Lithuania and attempts to reunite with his former comrades years after the war ended. He struggles to bridge the gap between his horrific memories of the Holocaust and the mundane reality of his modern surroundings. While interacting with his daughter and old friends, he searches for a way to integrate his past trauma into a peaceful present.