Marco Teti
Known For & Full Filmography6 Titles

Movie - 2018, 2h 15m • as Miliciano
In February 1939, the paths of those fleeing Francoist Spain on one side and the advancing Nazis on the other crossed along the Pyrenees. Anarchists and socialists, Jews and partisans, in an exodus with no safe destination. Among them Walter Benjamin, one of the greatest European intellectuals of the 20th century.

Movie - 2015, 2h 15m • Main Cast Role
It’s the last weekend together for three men and two women who for years have studied and lived in the same house in Pisa. University is over and each of them is about to embark on a new path: some will stay in Pisa, some will return home to their parents, and some will move to another city or even country. That protected period of their life in which infinite opportunities awaited them, is fading away – now is the time for decisions and responsibility: love or a well-paid job? Have a child or wait for better circumstances? Follow your dreams or be happy with whatever comes your way? Once thing is certain: their carefree university days are over and nothing will ever be the same again.

Movie - 2016, 2h 15m • Main Cast Role
Chinese Whispers - a dead psychic is found in the trunk of a car and the uncles find briefcase full of dough ($).

Movie - 2018, 2h 15m • Main Cast Role
An outstanding performance featuring brilliant storytelling, high stakes drama, and unforgettable character arcs.

Movie - 2015, 2h 15m • Main Cast Role
After finish his work Marchino finds the body of a teenager girl and goes to BarLume to call the police who don't believe him after his infamous past. Massimo goes to check and here starts a new story of BarLume.

Movie - 2016, 2h 15m • as Sebastiano
Fabrizio Ferraro’s homage to Saint Sebastian, subject of three paintings by the Italian early Renaissance master Andrea Mantegna, starts in the present day with colorful images of tourists in the ancient ruins of the Palatino and the Foro Romano in Rome. Suddenly we are transported to another dimension, now in black and white, the same place but another time, suggesting the film’s inherent circularity.