Armand Salacrou
Biography
Armand Camille Salacrou (9 August 1899 – 23 November 1989) was a French dramatist. He was born in Rouen, but spent most of his childhood at Le Havre, and moved to Paris in 1917. His first works show the influence of the Surrealists. He was the owner of a profitable advertising firm, but sold it in order to devote his time to writing plays. Encouraged by Charles Dullin, he wrote in a wide range of styles and enjoyed great success from the mid-1930s. His later work is usually grouped with that of the Existentialists. He flirted with communism during the 1920s and criticized capitalism in his play Boulevard Durand. During the Nazi occupation of France, he participated in the clandestine French resistance, an experience which he celebrated in Les Nuits de la colère. He was a member of the Académie Goncourt, and a library in his home town is named after him. Source: Article "Armand Salacrou" from Wikipedia in English, licensed under CC-BY-SA 3.0.
Known For & Full Filmography2 Titles
Drama Series - 1975, 16 episodes • as Self
Midi Première is a French variety show presented by Danièle Gilbert, directed by Jacques Pierre and broadcast from January 6, 1975 until January 1, 1982 on TF1. The program was generally broadcast between 12:15 p.m. and 12:55 p.m., then giving way to the 1:00 p.m. TV news. However, the broadcast schedule could change, depending on the guests, and the setting where the recording of the program was shot. Certain performances by artists who have become cult like the one where Ringo jostles with a demonstrator in interpretation (1977), that of Dalida with the title There is always a song with the soundtrack that does not start, twice, at the right speed (1978), Claude François and his Clodettes, who, in the provinces, are unable to join "the set" in order to interpret his song, the latter being taken by the crowd of delirious fans (summer 1977) . The group Supertramp performed there with the title "Dreamer" on March 8, 1975.
Movie - 1952, 2h 15m • as Self
In this experimental film, Isidore Isou, the leader of the lettrist movement, lashes out at conventional cinema and offers a revolutionary form of movie-making: through scratching and bleaching the film, through desynchronizing the soundtrack and the visual track, through deconstructing the story, he aims to renew the seventh art the same way he tried to revolutionize the literary world.