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Pipilotti Rist

Pipilotti Rist

Directing
1962-06-21
Grabs, Switzerland

Biography

Pipilotti Rist is a visual artist. She is best known for creating experiential video art and installation art that often portray self-portraits and singing. Her work is often described as surreal, intimate, abstract art, having a preoccupation with the female body.

Known For & Full Filmography9 Titles

#1Kulturplatz

Drama Series - 2004, 16 episodes • as Self

6.0 / 10
NewsDocumentary

An outstanding performance featuring brilliant storytelling, high stakes drama, and unforgettable character arcs.

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#2Aujourd'hui

Movie - 1999, 2h 15m • as Self

8.8 / 10

A daytime fantasy featuring earth nymphs, this short video work is an adapted version of Rist's installation "I Couldn't Agree With You More" for screening purposes, and to watch lying down on your left side or turning monitor 90 degrees.

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#3Blutclip

Movie - 1993, 2h 15m • as Self

1.0 / 10

Rist's body is the canvas in this surreal montage. Unflinching displays of the artist's own menstrual blood are juxtaposed with images of gemstones, while swooping, close-up shots of Rist's arms and legs are followed by archival footage of lunar fly-bys, suggesting the ease with which visual culture has abstracted the female body into a beautiful but alien natural phenomenon.

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#4(Absolutions) Pipilotti's Mistakes

Movie - 1988, 2h 15m • Main Cast Role

6.0 / 10

Precisely edited to the start-stop rhythm of a martial beat and post-punk rock music, Absolutions glories in organized disjunction, juxtaposing images of the artist collapsing to the ground with bursts of wildly scrambled electronic distortion.

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#5I'm a Victim of This Song

Movie - 1995, 2h 15m • Main Cast Role

5.0 / 10

With I'm a Victim of this Song, Rist takes up the concept of the "cover" version, in which one performer does a version of another's song, and gives it her own twist. Starting with music from Chris Isaak's hit single Wicked Game, she adds her own sung and screamed versions of the lyrics, accompanied by effects-manipulated, diaristic video images. The result is an art-world "cover" of a popular artifact, with a woman's voice reinterpreting the male original, and a vivid illustration of the consumer's claim to own and interpret media images.

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#6Mother Floor

Movie - 1996, 2h 15m • as Performer

8.8 / 10

A constantly moving camera dives deep into Rist's mouth and pops out of her anus, only to whirl back up to her open mouth - giving you the sensation of being swallowed and expelled, swallowed and expelled, into infinity.

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#7Here Is Always Somewhere Else

Movie - 2007, 2h 15m • as Herself

6.0 / 10
Documentary

The life and work of enigmatic Dutch/Californian conceptual artist Bas Jan Ader, who in 1975 disappeared under mysterious circumstances at sea in the smallest boat ever to cross the Atlantic. As seen through the eyes of fellow emigrant filmmaker René Daalder, the picture becomes a sweeping overview of contemporary art films as well as an epic saga of the transformative powers of the ocean.

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#8You Called Me Jacky

Movie - 1990, 2h 15m • as Self

8.8 / 10

This video art work features Swiss artist Pipilotti Rist lip-synching to Kevin Coyne's 1973 song 'Jacky and Edna', her image superimposed with fleeting images seen from the window of a moving train.

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#9Ever Is Over All

Movie - 1997, 2h 15m • Main Cast Role

8.8 / 10

Ever Is Over All envelops viewers in two slow-motion projections on adjacent walls. In one a roving camera focuses on red flowers in a field of lush vegetation. The spellbinding lull this imagery creates harmonizes with the projection to its left, which features a woman in sparkling ruby slippers promenading down a car-lined street. The fluidity of both scenes is disrupted when the woman violently smashes a row of car windshields with the long-stemmed flower she carries. As the vandal gains momentum with each gleeful strike of her wand, an approaching police officer smiles in approval, introducing comic tension into this whimsical and anarchistic scene. –MoMA

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