Ada Mae Vaughn

Movie - 1929, 2h 15m • as Performer in 'Meet My Sister' Number

Now hear this. The studio that gave the cinema its voice offered 1929 audiences a chance to see and hear multiple silent-screen favorites for the first time in a gaudy, grandiose music-comedy-novelty revue that also included Talkie stars, Broadway luminaries and of course, Rin-Tin-Tin. Frank Fay hosts a jamboree that, among its 70+ stars, features bicyclers, boxing champ Georges Carpentier, chorines in terpsichore kickery, sister acts, Myrna Loy in two-strip Technicolor as an exotic Far East beauty, John Barrymore in a Shakespearean soliloquy (adding an on-screen voice to his legendary profile for the first time) and Winnie Lightner famously warbling the joys of Singing in the Bathtub. Watch, rinse, repeat!

Movie - 1930, 2h 15m • as Emma O'Neil (uncredited)

Bill is a hot shot dancer who partners with Jazzbo, until he sees Molly at the dance. He enters the Waltz with Molly and wins first prize - and they wind up being married that same night. Now they are free of their parents nagging and their own bosses. 24 hours - no dancing as in-laws are visiting. 24 days - the Apartment is finished so off to the Hoffman's Parisian Dance Palace. Molly can only dance the Waltz and not the hot new jazz dance so she leaves and Bill follows. They are both unhappy, Bill has two left feet when it comes to romance.

Movie - 1934, 2h 15m • as Bystander (uncredited)

After an extended stay in England, Sophie Lang returns to America. She is beautiful, sophisticated--and a notorious jewel thief. A New York police detective who's been trying to nail her finally comes up with what seems a foolproof scheme--to catch her off guard by having her fall for a handsome and suave jewel thief who happens to be in the U.S. traveling under an assumed name.

Movie - 1925, 2h 15m • as Hamilton's Stenographer

A twenty-year veteran of the printing room of The San Francisco Chronicle is passed up for a promotion at the same time his son is accused of graft and involved in scandal. The historical landmarks of old San Francisco are present: The Pacific Telephone and Telegraph Building, City Hall and the Pickwick Hotel-- but they don't distract from the dramatic and emotional perforamces at the film's center.