Umberto Contarello

Movie - 1993, 2h 15m • as Assistente medici cinesi

Nanni Moretti recounts in his diary three slice-of-life stories marked by a dry, ironic gaze: in the first, he rides his Vespa through a deserted, sun-drenched summertime Rome; in the second, he visits a reclusive friend on an island, who ropes him into an impromptu journey between islets in search of quiet; and in the last, he finds himself grappling with an unknown illness.

Movie - 2008, 2h 15m • as Congressman

Italy, early '90s. Calm, clever and inscrutable, politician Giulio Andreotti has been synonymous with power for decades. He has survived everything: electoral battles, terrorist massacres, loss of friends, slanderous accusations; but now certain repentant mobsters implicate him in the crimes of Cosa Nostra.

Movie - 2025, 2h 15m • as Umberto

An autobiographical bittersweet drama centered on Contarello’s rapport with his daughter.

Movie - 1996, 2h 15m • Main Cast Role

Dive into the Eternal City – see Rome like you’ve never seen it before. Storefront robberies, bizarre murders, career dreamers, and cameos from Italy's foremost directors and actors feature in this star-studded omnibus tale about life and love.

Movie - 2009, 2h 15m • as Self

Until the 1970s, Italian cinema dominated the international scene, even competing with Hollywood. Then, in just a few years, came its rapid decline, the flight of our greatest producers, a crisis among the best writer-directors, the collapse of production. But what are the true causes and circumstances of this decline? In an attempt to provide an answer to this question, Di Me Cosa Ne Sai strives to depict this great cultural change. Begun as a loving examination of Italian cinema, the film transformed into a docu-drama that alternates between interviews with the great names of the past and fragments of cultural and political life of the last 30 years. It is a travel diary that shows Italy from north to south, through movie theatres; television-addicted kids; Berlusconi and Fellini; shopping centers; TV news editors; stories of impassioned film exhibitors and directors who fight for their films; and interviews with itinerant projectionists and great European directors.