Scott Pelley
Known For & Full Filmography8 Titles
Drama Series - 1968, 16 episodes • as Self
America's popular television News magazine in which an ever changing team of CBS News correspondents contribute segments ranging from hard news coverage to politics to lifestyle and pop culture.
Drama Series - 1968, 16 episodes • as Self - Correspondent
America's popular television News magazine in which an ever changing team of CBS News correspondents contribute segments ranging from hard news coverage to politics to lifestyle and pop culture.
Drama Series - 1968, 16 episodes • as Self - Reporter
America's popular television News magazine in which an ever changing team of CBS News correspondents contribute segments ranging from hard news coverage to politics to lifestyle and pop culture.
Drama Series - 1954, 16 episodes • Main Cast Role
Face The Nation with Margaret Brennan is an American Sunday morning political interview show, which premiered on the CBS television network. It is one of the longest-running news programs in television history, having debuted in 1954.
Drama Series - 1954, 16 episodes • as Self - Guest Host
Face The Nation with Margaret Brennan is an American Sunday morning political interview show, which premiered on the CBS television network. It is one of the longest-running news programs in television history, having debuted in 1954.
Drama Series - 1961, 16 episodes • as Self - Anchor
The CBS Evening News is the flagship daily evening television news program of CBS News, the news division of the CBS television network in the United States. The network has broadcast the program since 1948, and has used the CBS Evening News title since 1963.
Drama Series - 2024, 16 episodes • as Panelist
Experts explore ethical dilemmas, promoting constructive dialogue about polarizing issues.
Movie - 2016, 2h 15m • as Self (voice)
The Swap is the third chapter of the PolEc Trilogy, comprising Wandering Marxwards (1998) and The Three Failures (2006). It features the same character as in the previous episodes, but now reduced to a lost, exhausted soul roaming Shanghai's cityscape from the remotest periphery to the financial district. Another narrative, spoken this one, takes us to September 2008, as gigantic bailouts put the financial system on life support instead of letting it collapse, thus seizing our reality and replacing it with a fiction tailored for the situation. These two streams end up meeting on a Shanghai dancefloor, where unresolved contradictions can finally be performed.