
Lyn Greene
Known For & Full Filmography6 Titles

Drama Series - 1990, 16 episodes • as Meg Hennessy
In cases ripped from the headlines, police investigate serious and often deadly crimes, weighing the evidence and questioning the suspects until someone is taken into custody. The district attorney's office then builds a case to convict the perpetrator by proving the person guilty beyond a reasonable doubt. Working together, these expert teams navigate all sides of the complex criminal justice system to make New York a safer place.

Drama Series - 2003, 16 episodes • as Violet's Mother
Hotshot plastic surgeons Dr. Sean McNamara and Dr. Christian Troy experience full-blown midlife crises as they confront career, family and romance problems.

Drama Series - 1985, 16 episodes • as Young Dorothy
Four Southern Florida seniors share a house, their dreams, and a whole lot of cheesecake. Bright, promiscuous, clueless and hilarious, these lovely, mismatched ladies form the perfect circle of friends.

Drama Series - 1977, 16 episodes • as Maria Teresa Bonino
On Our Own is a short-lived American sitcom broadcast on CBS from October 1977 to April 1978, lasting for one season and 22 episodes. Maria Bonino and Julia Peters are two secretaries in a high-powered New York advertising agency. They are promoted to art director and copywriter and begin their new careers with enthusiasm. Other people in the agency include J.M. Bedford, chairman of the board; Toni McBain, the President; April Baxter, a copywriter; Eddie Barnes, a TV commercial producer, and Craig Boatwright, a salesman.

Movie - 1990, 2h 15m • as Emma Goldman
This darkly satirical musical reframes American history through the eyes of those who attempted – successfully or not – to kill US presidents. Structured as a surreal carnival sideshow, the piece weaponises American musical traditions – vaudeville, folk ballads, barbershop quartets, patriotic Sousa-style marches and Bacharach pop – to undercut the myth of the “American Dream,” exposing how frustration, alienation and entitlement can curdle into violence. By giving voice to figures from John Wilkes Booth to Lee Harvey Oswald, Assassins invites audiences not to condone their acts but to confront the unsettling continuity between personal disillusionment and national mythology, turning the musical stage into a mirror for America’s darkest obsessions.
